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[9] [10] In 1993, Fernando Marías linked this work to a different item in Jorge Manuel Theotocopuli's inventory, item number 258, described as a half-length self portrait of El Greco. [11] In his 2011 scholarly biography on the artist, Marías also described the painting as a self portrait. [12]
A self-portrait of a colorless, but youthful, rounded oval face, in full-frontal view, emerges from a reddish-brown, textured, but indistinct background; the eyes of the face are open but the body belonging to the face is abstract, blurred by pencil strokes and the color of sepia ink; [1] the clothing worn by the subject is indistinguishable as it dissolves into the background with each pencil ...
Self-portraiture, or Autoportraiture is the field of art theory and history that studies the history, means of production, circulation, reception, forms, and meanings of self-portraits. [ 1 ] [ 2 ] [ 3 ] Emerging in Antiquity and becoming popular from the Renaissance as an artistic practice, as a specific field of study, self-portraiture is ...
Self-Portrait: c. 1637: Red chalk: 12.9 x 11.9 cm: National Gallery of Art, Washington: The drawing is related to the etching B002 : Study of Russian Costume: c. 1637?? Morgan Library, New York: Inscribed in ongenaeden synden en werden niet geschooren Studies of Grieving Marys: c. 1637: Pen in brown and red chalk: 20.1 x 14.3 cm: Rijksmuseum ...
The Interior of an Atelier of a Woman Painter is an oil-on-canvas painting created in 1789 by the French artist Marie-Victoire Lemoine. It is in the collection of the Metropolitan Museum of Art, in New York. [1] The work is a tribute to the painter Élisabeth Vigée Le Brun. [2]
Dimensions: 42 cm × 28 cm (17 in × 11 in) ... Self-Portrait at an Easel or Self-Portrait in the Studio is a 1790-1795 ... "with thick coats of radiant white paint ...
The first known self-portrait was made in 1839 -- and with the introduction of social media, the art of the selfie has changed drastically. The first self-portrait in 1893 may have marked the ...
Dating to about 1560, when Titian would have been over 70 years old, it is the later of his two surviving [1] self-portraits. It is held in the Museo del Prado , in Madrid . The painting is a realistic and unflattering depiction of the physical effects of old age, and as such shows none of the self-confidence of his earlier self-portrait ( c ...