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Mind reading may refer to: Telepathy, the transfer of information between individuals by means other than the five senses; The illusion of telepathy in the performing art of mentalism. Cold reading, a set of techniques used by mentalists to imply that the reader knows much more about the person than the reader actually does
Brain-reading or thought identification uses the responses of multiple voxels in the brain evoked by stimulus then detected by fMRI in order to decode the original stimulus. Advances in research have made this possible by using human neuroimaging to decode a person's conscious experience based on non-invasive measurements of an individual's ...
A characteristic feature of "mind-reading" by a mentalist is that the spectator must write the thought down. Various justifications are given for this - in order to enable the spectator to focus on the thought, or in order to show it to other audience members etc. - but the real reason is to enable the mentalist then secretly to access the ...
Researchers have invented a mind-reading cap capable of non-invasively decoding thoughts into text for the first time.. The technology, developed by a team at the University of Technology Sydney ...
Muscle reading, also known as "Hellstromism", "Cumberlandism" or "contact mind reading", is a technique used by mentalists to determine the thoughts or knowledge of a subject, the effect of which tends to be perceived as a form of mind reading. The performer can determine many things about the mental state of a subject by observing subtle ...
Axel Hellstrom (December 22, 1893 – July 22, 1933) was a German muscle reader, mentalist and stage magician.He redefined the art of muscle reading to such an extent that this technique, also known as "contact mind reading" and "Cumberlandism" (after a 19th-century practitioner named Stuart Cumberland), is now best known by the name "Hellstromism".
Clean language offers a template for questions that are as free as possible of the facilitator's suggestions, presuppositions, mind-reading, second guessing, references and metaphors. Clean questions incorporate all or some of the client's specific phrasing and might also include other auditory components of the client's communication such as ...
Under the form of objet a, Lacan groups all the partial drives linked to part objects: the breast, feces, the penis, and he adds the gaze and the voice. Here, he asserts the split between the eye and the gaze when he analyzes Holbein's painting The Ambassadors as a "trap for the gaze" ( piège à regards ), but also as a dompte-regard (the gaze ...