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One interpretation of the relevant passages is that the Pharisee or "spy" asking Jesus whether Roman taxes/tribute should be paid was attempting to entrap him into admitting his opposition to doing so, and that upon seeing that the coin was a tribute penny, Jesus avoided the trap by saying to it should be given back to Caesar, because it was his anyway.
The Tribute Money, by Titian (1516), depicts Jesus being shown the tribute penny. "Render unto Caesar" is the beginning of a phrase attributed to Jesus in the synoptic gospels, which reads in full, "Render unto Caesar the things that are Caesar's, and unto God the things that are God's" (Ἀπόδοτε οὖν τὰ Καίσαρος Καίσαρι καὶ τὰ τοῦ Θεοῦ τῷ Θεῷ).
Jesus Paid It All (also known as Fullness in Christ and I hear the Saviour say and Christ All and in All) is a traditional American hymn about the penal substitutionary atonement for sin by the death of Jesus. The song references many Bible verses, including Romans 5 ("Jesus' sacrifice gives life") and Isaiah 1:18 ("a crimson flow"). [1]
Driving of the Merchants From the Temple by Scarsellino. In the narrative, Jesus is stated to have visited the Temple in Jerusalem, where the courtyard was described as being filled with livestock, merchants, and the tables of the money changers, who changed the standard Greek and Roman money for Jewish and Tyrian shekels. [6]
The New Testament does contain the rudiments of an argument which provides a basis for religious images or icons. Jesus was visible, and orthodox Christian doctrine maintains that Jesus is YHWH incarnate. In the Gospel of John, Jesus stated that because his disciples had seen him, they had seen God the Father (Gospel of John 14:7-9 [20]).
Jesus paid the penalty for those who deny faith in Him, and His death was a substitutionary atonement for those who deny Him—Though the term unlimited atonement can easily give the incorrect assumption that Jesus' payment encompassed all people, unlimited atonement maintains a limit on the legal effect.
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Ascension of Christ and Noli me tangere, c. 400, ivory, Milan or Rome, now in Munich.See below for a similar Ascension 450 years later.. New Testament scenes that appear in the Early Christian art of the 3rd and 4th centuries typically deal with the works and miracles of Jesus such as healings, the multiplication of the loaves or the raising of Lazarus. [3]