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The metric structure of music includes meter, ... A composite rhythm is the durations and patterns (rhythm) produced by amalgamating all sounding parts of a musical ...
The African rhythmic structure which generates the standard pattern is a divisive structure and not an additive one … the standard pattern represents a series of attack points that outline the onbeat three-against-two / offbeat three-against-two sequence, not a series of durational values". [19]
In music, form refers to the structure of a musical composition or performance.In his book, Worlds of Music, Jeff Todd Titon suggests that a number of organizational elements may determine the formal structure of a piece of music, such as "the arrangement of musical units of rhythm, melody, and/or harmony that show repetition or variation, the arrangement of the instruments (as in the order of ...
In poetry, metre (Commonwealth spelling) or meter (American spelling; see spelling differences) is the basic rhythmic structure of a verse or lines in verse.Many traditional verse forms prescribe a specific verse metre, or a certain set of metres alternating in a particular order.
Meyer lists melody, rhythm, timbre, harmony, "and the like" [12] as principal elements of music, while Narmour lists melody, harmony, rhythm, dynamics, tessitura, timbre, tempo, meter, texture, "and perhaps others". [13] According to McClellan, two things should be considered, the quality or state of an element and its change over time. [14]
The structure of clave can be understood in terms of cross-rhythmic ratios, above all, three-against-two (3:2). [26] Godfried Toussaint , a Research Professor of Computer Science, has published a book and several papers on the mathematical analysis of clave and related African bell patterns.
It can be the source for the whole structure of the work; in that case it is called a generative cell." [2] Tresillo, a rhythmic cell of the tango and habanera. [3] [4] Play ⓘ A rhythmic cell is a cell without melodic connotations. It may be entirely percussive or applied to different melodic segments.
Rhythmic displacement, so that the metrical stress occurs at a different point in the otherwise unchanged theme. Sequence , either diatonically within a key or through a succession of keys. The Scherzo movement from Beethoven's Piano Sonata No. 15 in D major, Op 28 (the "Pastoral" Sonata) shows a number of these processes at work on a small scale.