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In late 2010, Johnny Iguana formed the Claudettes, a "piano boogie, punk blues, and cabaret" rock and roll outfit, who have had an ever changing line-up, although they have released four albums. [ 2 ] [ 4 ] [ 3 ] Their latest collection, High Times in the Dark , was recorded and issued in the midst of the COVID-19 pandemic in the United States .
Wesley Wallace was an American blues and boogie-woogie pianist who accompanied a couple of St. Louis-based singers on recording sessions in 1929, and recorded two tracks of his own the following year, which were original. All of his recordings utilized the I and IV chords of the usual blues progression, completely omitting the V chord. [1]
Locked hands style is a technique of chord voicing for the piano. Popularized by the jazz pianist George Shearing, it is a way to implement the "block chord" method of harmony on a keyboard instrument. The locked hands technique requires the pianist to play the melody using both hands in unison.
Live in Chicago with Billy Boy Arnold, Alligator AL-4717 (1979, recorded 1963); Doin' The Best I Can Johnny Jones A Chicago Pianist-About-Town and His Fellow Musicians, JSP Records (UK) JSP4245B (2015) (2 volumes, 53 tracks, Including Johnny Jones backing Elmore James, J.T. Brown, Junior Wells, Tampa Red, Joe Turner)
At its most basic, a single version of this blues scale is commonly used over all changes (or chords) in a twelve-bar blues progression. [7] Likewise, in contemporary jazz theory, its use is commonly based upon the key rather than the individual chord. [2] Greenblatt defines two blues scales, the major and the minor.
This is a plagal cadence featuring a dominant seventh tonic (I or V/IV) chord. However, Baker cites a turnaround containing "How Dry I Am" as the "absolutely most commonly used blues turnaround". [5] Fischer describes the turnaround as the last two measures of the blues form, or I 7 and V 7, with variations including I 7 –IV 7 –I 7 –V 7. [6]
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