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List of digital video cameras with an image sensor larger than 2/3 inch and producing video in a horizontal resolution equal or higher than 1920 pixels. Digital video cameras [ edit ]
The most common large format is 4×5 inches (10.2x12.7 cm), which was the size used by cameras like the Graflex Speed Graphic and Crown Graphic, among others. Less common formats include quarter-plate (3.25x4.25 inches (8.3x10.8 cm)), 5×7 inches (12.7x17.8 cm), and 8×10 inches (20×25 cm); the size of many old 1920s Kodak cameras (various versions of Kodak 1, 2, and 3 and Master View cameras ...
The common 1" outside diameter circular video camera tubes have a rectangular photo sensitive area about 16 mm on the diagonal, so a digital sensor with a 16 mm diagonal size is a 1" video tube equivalent. The name of a 1" digital sensor should more accurately be read as "one inch video camera tube equivalent" sensor.
Zoom 72×, Optical zoom 10× and Digital zoom 7.2× taken in full resolution 16 MP, but resize to 2 MP for uploading, ISO 800, 1/680, F/14.0, more noise, but the detail is more clear. Magnification in deteriorated digital zoom zone is 72×: 10 = 7.2×, the bigger the number, the worse the image
This format is still used in many personal video cameras today and has influenced the selection or design of other aspect ratios. It is the standard Super 35 mm ratio. 1.37:1 ~ 48:35 16 mm and 35 mm standard ratio. 1.375:1 = 11:8 35 mm full-screen sound film image, nearly universal in films between 1932 and 1953.
35 mm film is scanned for release on DVD at 1080 or 2000 lines as of 2005. The actual resolution of 35 mm original camera negatives is the subject of much debate. Measured resolutions of negative film have ranged from 25–200 LP/mm, which equates to a range of 325 lines for 2-perf, to (theoretically) over 2300 lines for 4-perf shot on T-Max 100.
Most digital point-and-shoot cameras have an aspect ratio of 1.33 (4:3), the same as analog television or early movies. However, a 35 mm picture's aspect ratio is 1.5 (3:2). Several [quantify] digital cameras take photos in either ratio. Nearly all digital SLRs take pictures in a 3:2 ratio, as most can use lenses designed for 35 mm film.
For example, a 100 mm to 400 mm lens may have a maximum aperture of f/4.0 at the 100 mm end but will diminish to only f/5.6 at the 400 mm end of the zoom range. Zoom lenses with constant maximum apertures (such as f/2.8 for a 24–70mm lens) are usually reserved for lenses with higher build quality and are thus more expensive than those with ...
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