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Vương Trung Hiếu (born 1959) is a Vietnamese fiction writer, journalist, translator, and interdisciplinary scholar. He is the author of more than two hundred books (including genre writing; novels; anthologies and translations).
Vietnamese poetry originated in the form of folk poetry and proverbs. Vietnamese poetic structures include Lục bát, Song thất lục bát, and various styles shared with Classical Chinese poetry forms, such as are found in Tang poetry; examples include verse forms with "seven syllables each line for eight lines," "seven syllables each line for four lines" (a type of quatrain), and "five ...
Four word idioms or any idiom in Vietnamese are known as thành ngữ (chữ Hán: 成語, literally "set phrase/speech"). A large amount of idioms originating from Classical Chinese have been borrowed into the language, but there exists native counterparts to the Classical Chinese idioms. There are also many idioms that are Vietnamese in origin.
Starting in 2003, ' The Most Beloved Vietnam Television Dramas' Voting Contest (Vietnamese: Cuộc thi bình chọn phim truyền hình Việt Nam được yêu thích nhất) is held annually or biennially by VTV Television Magazine to honor Vietnamese television dramas broadcast during the year(s) on two channels VTV1-VTV3.
It was filmed entirely in South Vietnam during the Vietnam War 1965: Le ciel, la terre (The Sky, The Earth) Joris Ivens: Documentary Short: The 27-minute documentary attempted to make a film that joins North and South Vietnam, showing multiple perspectives 1966: Nguyễn Văn Trỗi (The Nguyen Van Troi Story) Bùi Đình Hạc, Lý Thái Bảo
The Golden Starfruit Tree (Vietnamese: Ăn khế trả vàng, lit. 'Eating starfruit and paying with gold' or simply Vietnamese: Cây khế, lit. 'The starfruit tree') is a Vietnamese folktale. It tells the story of a poor farmer who is paid handsomely by a magical bird after letting it feed on his starfruit tree, and his rich older brother who ...
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Dumb Luck (Số đỏ) is a 1936 novel by the famous Vietnamese novelist, Vũ Trọng Phụng.The novel served as a contemporary critique on the Vietnamese late colonial society by the means of satirizing the rising bourgeoisie.