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The lives of Central Asian people revolved around the nomadic lifestyle. Thereby most of the Central Asian arts in the modern times are also inspired by nomadic living showcasing the golden era. As a matter of fact, the touch of tradition and culture in Central Asian art acts as a major attraction factor for the international art forums.
A fragment of a dharani print in Sanskrit and Chinese, c. 650–670, Tang dynasty The Great Dharani Sutra, one of the world's oldest surviving woodblock prints, c. 704-751 The intricate frontispiece of the Diamond Sutra from Tang-dynasty China, 868 AD (British Museum), the earliest extant printed text bearing a date of printing Colophon to the Diamond Sutra dating the year of printing to 868
The Pazyryk culture is a Scythian [12] nomadic Iron Age archaeological culture (of Iranian origin; c. 6th to 3rd centuries BC) identified by excavated artifacts and mummified humans found in the Siberian permafrost, in the Altay Mountains, Kazakhstan and nearby Mongolia.
In India the main importance of the technique has always been as a method of printing textiles, which has been a large industry since at least the 10th century. [37] Nowadays wooden block printing is commonly used for creating beautiful textiles, such as block print saree, kurta, curtains, kurtis, dress, shirts, cotton sarees.
Robert Curzon, 14th Baron Zouche (1810 – 1873) said that European and Chinese block books were so similar in every way that they must have originated in China. [58] The question of whether printing originated in Europe or China was raised in the early 16th century by a Portuguese poet, Garcia de Resende (1470 – 1536).
Asia's various modern cultural and religious spheres correspond roughly with the principal centers of civilization. West Asia (or Southwest Asia as Ian Morrison puts it, or sometimes referred to as the Middle East) has their cultural roots in the pioneering civilizations of the Fertile Crescent and Mesopotamia, spawning the Persian, Arab, Ottoman empires, as well as the Abrahamic religions of ...
Following strictly to the culture of new Vietnam in Ho Chi Minh's concept, was to "stimulate intellectual and artistic creativity for art and cultural development". [23] "Culture is seen as a powerful motor of development, and cultural identity as a constant in the harmonious development of society and the individual."
South Asia in World History (Oxford UP, 2017) Goldin, Peter B. Central Asia in World History (Oxford UP, 2011) Holcombe, Charles. A History of East Asia: From the Origins of Civilization to the Twenty-First Century (2010). Huffman, James L. Japan in World History (Oxford, 2010) Jansen, Marius B. Japan and China: From War to Peace, 1894-1972 (1975)