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A restoration of the painting in 1934–36 confirmed art historian Roberto Longhi's attribution of the work to Raphael, and the removal of heavy repainting revealed the unicorn, traditionally a symbol of chastity in medieval romance, in place of a Saint Catherine wheel. [1]
The Portrait of a Young Woman (also known as La fornarina) is a painting by the Italian High Renaissance master Raphael, made between 1518 and 1519.It is in the Galleria Nazionale d'Arte Antica in Palazzo Barberini, Rome.
Lady with a Unicorn: Galleria Borghese, Rome, Italy: Oil on panel 65 x 51 1506: The Holy Family With a Palm Tree [Wikidata] Scottish National Gallery, Edinburgh, United Kingdom: Oil and gold on canvas transferred from panel diameter 101,5 c. 1506: Self-portrait: Palazzo Pitti, Florence, Italy: Tempera on panel 47,5 x 33 c. 1506: Saint George ...
Raphael and La Fornarina is an oil painting on canvas executed in 1813, in Italy, by Jean-Auguste-Dominique Ingres. [1] It is the first of five versions of the painting he produced between 1813 and his death in 1867. [2]
The Lady and the Unicorn: À mon seul désir (Musée national du Moyen Âge, Paris). The Lady and the Unicorn (French: La Dame à la licorne) is the modern title given to a series of six tapestries created in the style of mille-fleurs ("thousand flowers") and woven in Flanders from wool and silk, from designs ("cartoons") drawn in Paris around 1500. [1]
Giulia Farnese was born in Canino, then within the Papal States, to Pier Luigi I Farnese (c. 1435 - November 1487), Lord of Capodimonte, Musignano, Valentano, Gradoli, Piansano, Canino and Abbazia al Ponte, Papal Vicar of Canino in 1466, and his wife (Ischia, March 1464) Giovanna called Giovannella Caetani of the Dukes of Sermoneta, [4] [3] [4] [5] a member of the Caetani family which had ...
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Portrait of Doña Isabel de Requesens y Enríquez de Cardona-Anglesola is an oil painting dated circa 1518 that was formerly believed to depict Giovanna d'Aragona.It has been variously ascribed to Raphael, Giulio Romano, or the school of Raphael; it is now usually taken to have been executed by Giulio Romano based on a sketch by Raphael and then altered by Raphael.