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The Create a Comic Project (CCP) is a youth literacy program and webcomic created by John Baird. The program uses comics , many taken from the Internet , to encourage children to write their own narratives .
The use of comics in education would later attract the attention of Fredric Wertham [4] who noted that the use of comics in education represented "an all-time low in American science." [ 5 ] It has been noted that the use of a narrative form such as a comic "can foster pupils' interest in science" [ 6 ] and help students remember what they have ...
The Ulysses "Seen" project [1] uses a digital comics adaptation of James Joyce’s 1922 novel Ulysses as a gateway to comprehension, exploration, and explication of the great novel. Using a patent-pending digital screen structure, the comic provides an organizing principle for other kinds of content (including and especially various learning ...
Kodomo no Jikan (Japanese: こどものじかん, "A Child's Time") is a Japanese manga series written and illustrated by Kaworu Watashiya.The story revolves around a grade school teacher named Daisuke Aoki, whose main problem is that one of his students, Rin Kokonoe, has a crush on him.
Rob DenBleyker and background artist Shawn Coss, Toronto, 2012. Cyanide & Happiness was started by four cartoonists who were at the time in different locations: in 2006, Rob DenBleyker was a college student at University of Texas at Dallas; Kris Wilson lived in Fort Bridger, Wyoming; Matt Melvin lived in San Diego, California; and Dave McElfatrick lived in Belfast, Northern Ireland.
After having nominated webcomics in several of their traditional print-comics categories, the Eisner Awards began awarding comics in the Best Digital Comic category in 2005. In 2006 the Harvey Awards established a Best Online Comics Work category, and in 2007 the Shuster Awards began an Outstanding Canadian Web Comic Creator Award.
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In his 2000 book, Reinventing Comics, cartoonist Scott McCloud proposes that a web page solves the problem. Instead of making the monitor the "page", McCloud suggests making it a "window" upon an infinite canvas. A webcomic artist could give a reader an ability to zoom in and out rendering the comic infinitely large. McCloud wrote that ...
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