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Hanging scrolls provide a vertical format to display art on walls. [3] [6] They are one of the most common types of scrolls for Chinese painting and calligraphy. [10] They are made in many different sizes and proportions. [5] Horizontal hanging scrolls are also a common form. [10] Hanging scrolls are different from the handscrolls.
The Manichaean Painting of the Buddha Jesus (Chinese: 夷數佛幀; pinyin: Yí shù fó zhēn; Wade–Giles: I 2-shu 4 fo 2-chên 1; Japanese: キリスト聖像 [1]; rōmaji: Kirisuto Sei-zō; lit. 'Sacred Image of Christ'), is a Chinese Southern Song dynasty silk hanging scroll preserved at the Seiunji Temple in Kōshū, Yamanashi, Japan.
Fuxi or Fu Hsi (伏羲) [a] [1] is a culture hero in Chinese mythology, credited along with his sister and wife Nüwa with creating humanity and the invention of music, [2] hunting, fishing, domestication, [3] and cooking, as well as the Cangjie system of writing Chinese characters around 2900 BC [4] or 2000 BC.
After the introduction of hanging scrolls into Manichaean artistic production by the 10th century, it started to integrate a number of individual canonical images in one composite display. "The result was the emergence of modified canonical images. The Diagram of the Universe is an example of such a modified image." [6]
Chinese Manichaeism, also known as Monijiao (Chinese: 摩尼教; pinyin: Móníjiào; Wade–Giles: Mo 2-ni 2 Chiao 4; lit. 'religion of Moni') or Mingjiao (Chinese: 明教; pinyin: Míngjiào; Wade–Giles: Ming 2-Chiao 4; lit. 'religion of light or 'bright religion'), is the form of Manichaeism transmitted to and currently practiced in China.
Sermon on Mani's Teaching of Salvation (Chinese: 冥王聖幀; lit. 'Sacred Scroll of the King of the Underworld') is a Yuan dynasty silk hanging scroll, measuring 142 × 59 centimetres and dating from the 13th century, with didactic themes: a multi-scenic narrative that depicts Mani's Teachings about the Salvation combines a sermon subscene with the depictions of soteriological teaching in ...
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Travelers among Mountains and Streams, a large hanging scroll, is Fan Kuan's best known work, possibly his only surviving one, [4] and a seminal painting of the Northern Song school. It establishes an ideal in monumental landscape painting to which later painters were to return time and again for inspiration. [ 5 ]