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Hanging scrolls provide a vertical format to display art on walls. [3] [6] They are one of the most common types of scrolls for Chinese painting and calligraphy. [10] They are made in many different sizes and proportions. [5] Horizontal hanging scrolls are also a common form. [10] Hanging scrolls are different from the handscrolls.
Sermon on Mani's Teaching of Salvation (Chinese: 冥王聖幀; lit. 'Sacred Scroll of the King of the Underworld') is a Yuan dynasty silk hanging scroll, measuring 142 × 59 centimetres and dating from the 13th century, with didactic themes: a multi-scenic narrative that depicts Mani's Teachings about the Salvation combines a sermon subscene with the depictions of soteriological teaching in ...
There is no evidence that the monumental vertical design of East Asian hanging scrolls replaced the traditional small-scale horizontal layout of West Asian picture books in Manichaean canonical art. Thus, this painting is best classified as a late medieval and uniquely Chinese development of Manichaean didactic art.
The late 16th century novel by Xiong Damu (熊大木) called Records of the Two Songs, South and North (南北兩宋志傳) is a historical novel about imperial China from roughly 926 to 1022. The first 50 chapters detail the fall of Later Tang and the rise and fall of Later Jin , Later Han and Later Zhou , with a focus on the legends of Zhao ...
Chinese Manichaeism, also known as Monijiao (Chinese: 摩尼教; pinyin: Móníjiào; Wade–Giles: Mo 2-ni 2 Chiao 4; lit. 'religion of Moni') or Mingjiao (Chinese: 明教; pinyin: Míngjiào; Wade–Giles: Ming 2-Chiao 4; lit. 'religion of light or 'bright religion'), is the form of Manichaeism transmitted to and currently practiced in China.
'Sacred Image of Christ'), is a Chinese Southern Song dynasty silk hanging scroll preserved at the Seiunji Temple in Kōshū, Yamanashi, Japan. It measures 153.5 cm in height, 58.7 cm in width, dates from the 12th to 13th centuries, and depicts a solitary nimbate figure on a dark-brown medieval Chinese silk.
Travelers among Mountains and Streams, a large hanging scroll, is Fan Kuan's best known work, possibly his only surviving one, [4] and a seminal painting of the Northern Song school. It establishes an ideal in monumental landscape painting to which later painters were to return time and again for inspiration. [ 5 ]
The Song dynasty was founded by Zhao Kuangyin (Emperor Taizu) (r. 960–976) in 960, before the Song completely reunified China proper by conquest—excluding only the Sixteen Prefectures. The Song fought a series of wars with the Liao dynasty (1125–1279), ruled by the Khitans, over the possession of the Sixteen Prefectures of northern China. [2]