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Koncovka, a Slovak overtone flute. The koncovka is a Slovak duct-blown [2] overtone fipple flute without finger holes, [3] traditionally played by shepherds. [4] The koncovka is played by closing and opening the bottom hole of the flute. [3] By increasing the air speed, two different harmonic series of notes can be played with the end either ...
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These two notes are known as achala swar ('fixed notes'). Each of the other five notes, Re, Ga, ma, Dha and Ni, can take a 'regular' ( shuddha ) pitch, which is equivalent to its pitch in a standard major scale (thus, shuddha Re , the second degree of the scale, is a whole-step higher than Sa), or an altered pitch, either a half-step above or ...
Mohabbat Hi Na Jo Samjhe Woh Jalim Pyar Kya Jane Parchhain: C. Ramchandra: Talat Mahmood: Hindi: Bageshri: Radha Na bole Na Bole Re Azaad (1955 film) C. Ramchandra: Lata Mangeshkar: Hindi: Bhāgeshri (Carnatic) Bageshri (Hindustani) Jaag Dard-E-Ishq Jaag [TH - A Raga's Journey 5] Anarkali: C. Ramchandra: Hemanta Kumar Mukhopadhyay & Lata ...
The Sonate pour flûte et piano (Flute Sonata), FP 164, by Francis Poulenc, is a three-movement work for flute and piano, written in 1957. The sonata was commissioned by the American Library of Congress and is dedicated to the memory of Elizabeth Sprague Coolidge , an American patron of chamber music.
Vikal Mora Manva, Tum Bin Hai Mamta (1966 film) Roshan (music director) Lata Mangeshkar: Apni Kaho Kuchh Meri Suno, Kya Dil Ka Lagana Bhul Gaye Parchhain: C. Ramchandra: Lata Mangeshkar & Talat Mahmood: Dheere Se Aaja Ri Akhiyan Mein Nindiya Men Albela (1951 film) C. Ramchandra: Lata Mangeshkar: Naina Kahe Ko Lagaye Joru Ka Bhai Jaidev: Asha Bhosle
The Raslila takes place one night when the gopis of Vrindavana, upon hearing the sound of Krishna's flute, sneak away from their households and families to the forest to dance with Krishna throughout the night, which Krishna supernaturally stretches to the length of one kalpa, a Hindu unit of time lasting approximately 4.32 billion years.
Due to the underlying physics of sound production, flutes have a natural "cut" or a discontinuity when going from the lowest note to the highest note. This discontinuity appears between the notes "ga" and "ma" on a Carnatic flute and between "Ma" and "Pa" for a Hindustani flute (mainly because of the fingering technique differences).