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The Mirror Has Two Faces is a 1996 American romantic comedy-drama film produced and directed by Barbra Streisand, who also stars.The screenplay by Richard LaGravenese is loosely based on the 1958 French film Le Miroir à deux faces written by André Cayatte and Gérard Oury.
Francis later said "I have no feud with Barbra. But doing that film was like Gaslight. What infuriated me was the way they did things—never telling me, never talking to me, just cutting. I think they were afraid that if they were nice to me, Barbra would have been upset."
The Way We Were is a 1973 American romantic drama film directed by Sydney Pollack and starring Barbra Streisand and Robert Redford. Arthur Laurents adapted the screenplay from his own 1972 novel of the same name, which was based on his college days at Cornell University and his experiences with the House Un-American Activities Committee.
Barbra Streisand. On a Clear Day You Can See Forever is a 1970 American musical comedy drama fantasy film starring Barbra Streisand and Yves Montand and directed by Vincente Minnelli. The screenplay by Alan Jay Lerner is adapted from his book for the 1965 stage production of the same name. The songs feature lyrics by Lerner and music by Burton ...
On the review aggregator website Rotten Tomatoes, 30% of 20 critics' reviews are positive, with an average rating of 4.8/10. [ 13 ] Vincent Canby of The New York Times wrote, "As long as Miss Streisand as Fanny is singing the blues, or singing anything else, Funny Lady is superb entertainment, but the minute she stops the movie turns into a ...
3/5 Streisand does nothing to quell her diva reputation by writing an almost 1,000-page memoir of her life. Despite all the name-dropping – from giving back massages to De Niro to her chats ...
The film immediately introduces the two main protagonists. Paris (Jessica Clark) is a young, dark-haired woman who works as a high-priced escort/call-girl, but is a creative artist by nature. Rebecca (Barbara Niven) is a rich, blonde, middle-aged wife. The initial voice-over also narrates a cancer affliction that has grown beyond hope.
In his review in The New York Times, Vincent Canby called the film "an often boisterously funny old-time farce" and added "The movie may not hold together as any kind of larger comic statement, but the laughs are self-sustaining throughout...Miss Streisand's comedy range is narrow, like a cartoon character's, but For Pete's Sake operates almost ...