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Tone is the use of pitch in language to distinguish lexical or grammatical meaning—that is, to distinguish or to inflect words. [1] All oral languages use pitch to express emotional and other para-linguistic information and to convey emphasis, contrast and other such features in what is called intonation, but not all languages use tones to distinguish words or their inflections, analogously ...
The term boundary tone refers to a rise or fall in pitch that occurs in speech at the end of a sentence or other utterance, or, if a sentence is divided into two or more intonational phrases, at the end of each intonational phrase. It can also refer to a low or high intonational tone at the beginning of an utterance or intonational phrase.
For example, /srs may be attached to the end of a message to indicate that the message is meant to be interpreted in a serious manner, as opposed to, for example, being a joke (which is commonly represented as /j). Tone indicators are used to explicitly state the author's intent, instead of leaving the message up to interpretation. [6] [4]
Tone 1 is used generally for words whose second syllable is the definite article and for words that were monosyllabic in Old Norse. For example, in most Norwegian dialects, the word bønder (farmers) is pronounced with tone 1, while tone 2 is used when pronouncing bønner (beans or prayers).
The high rising terminal (HRT), also known as rising inflection, upspeak, uptalk, or high rising intonation (HRI), is a feature of some variants of English where declarative sentences can end with a rising pitch similar to that typically found in yes–no questions.
Declarative sentences show a 2–3–1 pitch pattern. If the last syllable is prominent the final decline in pitch is a glide. For example, in This is fun, this is is at pitch 2, and fun starts at level 3 and glides down to level 1. But if the last prominent syllable is not the last syllable of the utterance, the pitch fall-off is a step.
This finding makes sense if we consider the rising tone to consist of an L tone followed by an H tone, making it possible to describe one- and two-syllable words using the same set of tones. [2] Bruce also found that alignment of the peak of a Swedish pitch accent, rather than the alignment of a rise or fall, reliably distinguished between the ...
A classic example of a nasal carrying a tone: To form a locative from a noun, one of the possible procedures involves simply suffixing a low tone [ŋ̩] to the noun. To form the locative meaning "on the grass" one suffixes -ng to the word [ʒʷɑŋ̩] jwang ‡ [_ ¯ ], giving jwanng ‡ [_ ¯ _ ] [ʒʷɑŋ̩ŋ̩], with the two last syllabic nasals having contrasting tones.