Search results
Results from the WOW.Com Content Network
Sludge metal (also known as sludge doom [1] or simply sludge [2]) is an extreme subgenre of heavy metal music that combines elements of doom metal and hardcore punk.The genre generally includes slow tempos, tuned down guitars and nihilistic lyrics discussing poverty, drug addiction and pollution.
Conan was founded as a two piece by guitarist/singer Jon Davis in 2006, with Richie Grundy on drums. Following the departure of Grundy, Paul O'Neil took over on drums before the band went on nearly a year-long hiatus.
Also classed as post-metal [31] and doom metal. [32] Corrosion of Conformity [33] 1982 United States Also classed as stoner rock/metal [34] and southern metal. [35] Corrupted [36] 1994 Japan Also classed as doom metal and drone metal. Crowbar [37] 1990 United States Cult of Luna [38] 1998 Sweden Also classed as post-metal [39] and doom metal ...
Infusing a slow, brooding doom metal sound with the aggression of hardcore punk, Crowbar along with other bands in the New Orleans heavy metal scene pioneered a style known as sludge metal, though Windstein himself has admitted a dislike for the term. [2]
Sludge metal (also known as sludge doom [8] [66]) is a style that combines doom metal and hardcore punk. [8] [66] [2] [93] Many sludge bands compose slow and heavy songs that contain brief hardcore passages. [34] [38] However, some bands emphasise fast tempos throughout their music. [114]
Thou is an American sludge metal band formed in Baton Rouge, Louisiana, in 2005. [1] The current lineup of the band consists of Bryan Funck (vocals), Andy Gibbs (guitar), Matthew Thudium (guitar and vocals), Mitch Wells (bass), KC Stafford (guitar and vocals), and Tyler Coburn (drums).
Stoner rock, also known as stoner metal [4] or stoner doom, [5] [6] is a rock music fusion genre that blends elements of doom metal with psychedelic rock and acid rock. [7] The genre emerged in the early 1990s and was primarily pioneered by Kyuss [ 8 ] and Sleep .
Hell is a doom metal album and, as such, is driven by slow, downtuned guitar riffs. The reviewer Shakeel Cox-Henry noted that the vocal styles on the album are "very much alien" to traditional doom metal, describing them as abrasive, tortured and atonal. [5] Operatic singing is incorporated on the introductory track, "Seelenos", by Karli Mcnutt ...