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Koenig's collection focused on a world-renowned collection of African works of art. Koenig was a board member of the German Association of Artists from 1961 to 1972. Fritz Koenig was also the recipient of numerous awards, including the Bavarian Maximilian Order for Science and Art and the Order of Merit of the Federal Republic of Germany.
Created in 1887 as the Sketch Club, the organization was created by local San Francisco Bay Area women to support and promote the talents of established and emerging Bay Area women artists. Located in San Francisco's Sunset District , SFWA is a nonprofit organization that welcomes all genders, while specifically serving women artists.
The San Francisco Bay Area is highly invested in the street art scene because of its prevalence in its community. Areas such as the Mission District of San Francisco have developed a wide public fan base because of its large murals. This area of San Francisco is home to one of the most famous pieces of street art, the Women's Building mural. [2]
The Sphere, a monumental cast bronze sculpture by German artist Fritz Koenig, was commissioned for the old World Trade Center and completed in 1971. [68] It stood on the Austin J. Tobin Plaza until the September 11 attacks. The sculpture was damaged but survived the attacks and was relocated to Liberty Park, adjacent to the Memorial, in 2017 ...
The work, weighing more than 20 tons, was the only remaining work of art to be recovered largely intact from the ruins of the collapsed Twin Towers. After being dismantled and stored near a hangar at John F. Kennedy International Airport, the sculpture was the subject of the 2001 documentary Koenig's Sphere. Since then, the bronze sphere has ...
The Bay Area Figurative Movement (also known as the Bay Area Figurative School, Bay Area Figurative Art, Bay Area Figuration, and similar variations) was a mid-20th-century art movement made up of a group of artists in the San Francisco Bay Area who abandoned working in the prevailing style of Abstract Expressionism in favor of a return to figuration in painting during the 1950s and onward ...
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