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Book design is the art of incorporating the content, style, format, design, and sequence of the various components and elements of a book into a coherent unit. In the words of renowned typographer Jan Tschichold (1902–1974), book design, "though largely forgotten today, [relies upon] methods and rules upon which it is impossible to improve ...
A book is a medium for recording information in the form of writing or images. Modern books are typically in codex format, composed of many pages that are bound together and protected by a cover ; they were preceded by several earlier formats, including the scroll and the tablet .
Margaret Crosby "Peggy" Rathmann [1] (born March 4, 1953) is an American illustrator and writer of children's picture books. Rathmann was born in St. Paul, Minnesota, and graduated from the University of Minnesota. She studied commercial art, fine art, and children's book creation in Chicago, Minneapolis, and Los Angeles. [2]
Recto page from a rare Blackletter Bible (1497). The canons of page construction are historical reconstructions, based on careful measurement of extant books and what is known of the mathematics and engineering methods of the time, of manuscript-framework methods that may have been used in Medieval- or Renaissance-era book design to divide a page into pleasing proportions.
A physical book may not contain such a work: for example, it may contain only drawings, engravings, photographs, puzzles, or removable content like paper dolls. It may also be left empty for personal use, as in the case of account books, appointment books, autograph books, notebooks, diaries and sketchbooks.
A book is a medium for recording information in the form of writing or images. Modern books are typically in codex format, composed of many pages that are bound together and protected by a cover; they were preceded by several earlier formats, including the scroll and the tablet.
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In addition to visual art, Secret Art provides more personal insight into the life of Theodor Geisel. The book opens with a very short introductory letter by Geisel's widow, Audrey Geisel, titled "A Personal Note About Theodor Seuss Geisel", as well as an introduction by Maurice Sendak, both of which relate anecdotal tales of Geisel's work ethic and artistic vision.