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Firm In The Faith Of Christ: 1994 22 min. A grandfather tells his grandson a story about Captain Moroni in Ancient America as an example of a true hero. Captain Moroni tells Zerahemnah and his men to repent and depart with a covenant of Peace or be killed. Moroni's faith and loyalty to the Savior provide an example all Saints should follow.
Resurrection of Christ is a painting by the Italian Renaissance artist Giovanni Bellini. The painting is estimated to be created sometime between 1475 and 1479. The painting was created on poplar wood, then transferred to canvas. [1] The Resurrection of Christ's dimensions are in total 148 x 128 cm (which is 58 in x 50 in). [1]
Giovanni Battista Moroni (c. 1520-1524 [1] – 5 February 1578) was an Italian painter of the Mannerism. He also is called Giambattista Moroni . Best known for his elegantly realistic portraits of the local nobility and clergy, he is considered one of the great portrait painters of the Cinquecento .
The Portrait of a Man Holding a Letter, also known as The Lawyer, is an oil on canvas painting by Italian painter Giovanni Battista Moroni, from 1570-1572. It is held at the National Gallery, in London. It is considered one of the most representative paintings of the artist's maturity. [1] [2] [3]
The Passion of the Christ (6 P) Pages in category "Film portrayals of Jesus' death and resurrection" The following 35 pages are in this category, out of 35 total.
Roger Ebert gave The Passion of the Christ a positive review and defended it against allegations of anti-semitism. Film critic Roger Ebert, who awarded The Passion of the Christ four out of four stars in his review for the Chicago Sun-Times, denied allegations that the film was anti-semitic. Ebert described the film as "a powerful and important ...
The first written reference to the work shows it was probably in Secco Suardo's collection with other portraits produced for his family by the same artist. [3] At the end of the 18th century, it was still in the family, namely with Caterina Terzi Secco Suardo in Bergamo, shortly before passing to Barbara Secco Suardo Mosconi of the same city and then to the latter's husband Giovanni Mosconi. [4]
The portrait depicts Jesus Christ, raising his right hand while gripping a red staff with the other. Christ's wounds are slightly visible on his hand as well as his chest. The shadows indicate the reality of his Resurrection. Meanwhile, the landscape in the background contains many motifs signifying the Resurrection.
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