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Hell Awaits is the second studio album by American thrash metal band Slayer, released on April 8, 1985, by Metal Blade Records.The band's 1983 debut Show No Mercy became Metal Blade Records' highest-selling release, and as a result, producer Brian Slagel desired to release a second Slayer album.
Diabolus in Musica is a Latin term for "The Devil in Music" or tritone.Medieval musical rules did not allow this particular dissonance. [11] According to one mythology, the interval was considered sexual and would bring out the devil; Slayer vocalist and bassist Tom Araya jokingly said that people were executed for writing and using the interval.
Name of song, lyric/music writer(s), original release, and year of release Song Lyric writer(s) Music writer(s) Original release Year Ref. "213" Tom Araya: Jeff Hanneman: Divine Intervention: 1994 [1] "Abolish Government / Superficial Love" ‡ (T.S.O.L. cover) Jack Grisham Ron Emory Mike Roche Todd Barnes Undisputed Attitude: 1996 [2] "Addict ...
God Hates Us All is the ninth studio album by American thrash metal band Slayer, released on September 11, 2001, by American Recordings.It was recorded over three months at The Warehouse Studio in Vancouver, and includes the Grammy Award-nominated song "Disciple".
Slayer is an American thrash metal band formed in 1981 by guitarists Kerry King and Jeff Hanneman, who recruited vocalist and bassist Tom Araya, and drummer Dave Lombardo. [1] Slayer's first two albums, Show No Mercy (1983) and Hell Awaits (1985), which were released on Metal Blade Records, did not chart in the United States. [2]
Slayer is an American thrash metal band from Huntington Park, California, formed in 1981 by guitarists Kerry King and Jeff Hanneman, drummer Dave Lombardo and bassist/vocalist Tom Araya. Slayer's fast and aggressive musical style made them one of the "big four" bands of thrash metal, alongside Metallica, Megadeth, and Anthrax.
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Slayer released Seasons in the Abyss on October 9, 1990, through Def American Records. Later that year it was released again through Warner Music Group. It was re-released in 1994 through American Recordings. [10] Although it was "unwelcome" to music shows and rock–radio outlets, it got substantial airplay on MTV's Headbangers Ball. [16]