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Coon-Sanders Original Nighthawk Orchestra was the first Kansas City jazz band to achieve national recognition, which it acquired through national radio broadcasts. It was founded in 1918, as the Coon-Sanders Novelty Orchestra, by drummer Carleton Coon and pianist Joe Sanders.
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The band has a gigantic interjectory hit in the second chorus leading into the swinging Basie "laid back" feel with the melody. He adds that a "sudden key change - the tune modulates from the key of E-flat major to the key of A-flat major , in which the shout is played, via an E-flat augmented chord - introduces Hot Lips Page who solos in a ...
One such band was that of Alphonso Trent. [6] Two other important groups out of the Southwest, Kansas City specifically, were Bennie Moten's band and Jay McShann's band. Musicians from the Moten band along with musicians from the Oklahoma City Blue Devils became one of the most influential jazz bands, under the leadership of Count Basie.
Benjamin Moten (November 13, 1893 – April 2, 1935) [2] was an American jazz pianist and band leader born and raised in Kansas City, Missouri, United States. [3]He led his Kansas City Orchestra, the most important of the regional, blues-based orchestras active in the Midwest in the 1920s, and helped to develop the riffing style that would come to define many of the 1930s big bands.
Anna Mae Winburn (née Darden; August 13, 1913 – September 30, 1999) was an American vocalist and jazz bandleader who flourished beginning in the mid-1930s. An African-American, she is best known for having directed the International Sweethearts of Rhythm, an all-female big band that was perhaps one of the few – and one of the most – racially integrated dance-bands of the swing era. [1]
His first session for Federal produced "K. C. Loving", written by Jerry Leiber and Mike Stoller and later re-recorded by Wilbert Harrison as "Kansas City". In the late 1970s he toured Europe successfully, settling in the Netherlands and releasing a number of albums from 1982 into the late 1990s for the Oldie Blues label from Martin van Olderen. [9]
During the 1930s, a hybrid style between Kansas City jazz and big band was the most popular form of jazz music in the United States, often being played in popular venues and ballrooms. [17] In 1936, Kansas City's influence overtly transferred to the national scene, when record producer John Hammond discovered Count Basie on his car radio ...