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The word "crotchet" comes from Old French crochet, meaning 'little hook', diminutive of croc, 'hook', because of the hook used on the note in black notation of the medieval period. As the name implies, a quarter note's duration is one quarter that of a whole note, half the length of a half note, and twice that of an eighth note.
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The system of note types used in mensural notation closely corresponds to the modern system. The mensural brevis is nominally the ancestor of the modern double whole note (breve); likewise, the semibrevis corresponds to the whole note (semibreve), the minima to the half note (minim), the semiminima to the quarter note (crotchet), and the fusa to the eighth note (quaver).
French house can be described as a combination of three production styles. One is what the French refer to as 'French house' or 'French Touch,' heavily influenced by the space disco sound. The second style is a continuation and update of Euro disco, drawing inspiration from the productions of Alec R. Costandinos.
"Ritmo de la noche" (Rhythm of the Night) is a song written by AC Beat, Lagonda, Castioni, and Wycombe, and originally recorded by German house group Chocolate in 1990. It was covered and released in the same year by Mystic, The Sacados, Lorca, and ten other producers.
In music, syncopation is a variety of rhythms played together to make a piece of music, making part or all of a tune or piece of music off-beat.More simply, syncopation is "a disturbance or interruption of the regular flow of rhythm": a "placement of rhythmic stresses or accents where they wouldn't normally occur". [1]
The bourrée has been used by a number of pop and rock music bands, particularly Bach's E minor Bourrée for the lute.In 1969 both Bakerloo and Jethro Tull released versions of this, the former as a single, "Drivin' Bachwards", on Harvest Records (HAR 5004) in July and on their self-titled debut album (Harvest SHVL 762) the following December, the latter on their August album Stand Up.
In 1934, Hugues Panassie and Charles Delaunay decided to launch a magazine and to form a band to represent the club's musical point of view; [12] the magazine would become "Jazz Hot: La revue internationale de la musique de Jazz" [11] [13] and the band would become the Quintette du Hot Club de France, promoting a new jazz a cordes or "string ...