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Moko, or Maori Tattooing. digital edition from New Zealand Electronic Text Centre; Te Awekotuku, Ngahuia, "Tā Moko: Māori Tattoo", in Goldie, (1997) exhibition catalogue, Auckland: Auckland City Art Gallery and David Bateman, pp. 108–114.
Moko facial tattoos were traditional in Māori culture until about the mid-19th century, when their use began to disappear. There has been something of a revival from the late 20th century. In pre-European Māori culture, they denoted high social status. Generally only men had full facial moko. High-ranked women often had moko on their lips and ...
The logo of Air New Zealand, the national carrier, incorporates a koru design — based on the Ngaru (Ngāti Kahungunu) [5] kōwhaiwhai pattern — as a symbol of New Zealand flora. The logo was introduced in 1973 to coincide with the arrival of the airline's first McDonnell Douglas DC-10 wide-body jet.
Tyson saw the tattoo as representing the Māori, whom he described as a "warrior tribe", and approved of the design, [29] which consists of monochrome spiral shapes above and below his left eye. [30] According to Tyson, it was his idea to use two curved figures rather than one. [31] The tattoo drew significant attention before the fight.
Manaia pounamu carving. The Manaia is a mythological creature in Māori culture, and is a common motif in Māori carving [1] and jewellery.. The Manaia is usually depicted as having the head of a bird and the tail of a fish and the body of a man, though it is sometimes depicted as a bird, a serpent, or a human figure in profile.
Te Awekotuku has researched and written extensively on the traditional and contemporary practices of tā moko (tattoo) in New Zealand. Her 2007 (re-published in 2011) book Mau Moko: the world of Maori tattoo, co-authored with Linda Waimarie Nikora, was the product of a five-year long research project conducted by the Māori and Psychology Research Unit at the University of Waikato, funded by a ...
Her early work was in graphic design and advertising, Paama-Pengelly went into teaching and taught art at secondary schools and at tertiary level. [1] During this time in the early 1990s, she began her artistic engagement with tā moko (traditional Māori tattoo). [5] At this time, it was very unusual for a woman to be involved in this art form.
Early examples of Kipa's Corian tiki were shown at Auckland Art Gallery in the exhibition Hei Tiki, which explored contemporary interpretations of the customary form. [4] His contemporary hei tiki carving was featured on the New Zealand Post $1.50 stamp in the Matariki series in 2009. [5] He also makes and plays taonga pūoro. [3]