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The fipple flute is usually played in folk music and is held at the lips like a tin whistle. Because the transverse variety enables superior control, variations and embellishments, it is preferred in Indian classical music. [citation needed] The swara notes as designed into a bansuri (descending representation)
They are the bansuri (North Indian bamboo flute) and the venu (South Indian bamboo flute). The main differences between these two are the raw material, construction and style of playing. Raw material preferred for making the South Indian venu is usually thicker and denser and grows in Kerala or southern Tamil Nadu. It is darker and produces ...
Hindustani classical music is the classical music of the Indian subcontinent's northern regions. It may also be called North Indian classical music or Uttar Bhartiya shastriya sangeet. The term shastriya sangeet literally means classical music, and is also used to refer to Indian classical music in general. [1]
Naveen Kumar is an Indian flautist who has accompanied many film music directors and composers on popular Bollywood tracks. Naveen has also directed music for Gospel recordings. He is known for playing flute in Bombay themes and Kal Ho na Ho
This article has an unclear citation style. The references used may be made clearer with a different or consistent style of citation and footnoting. (July 2020) (Learn how and when to remove this message) Tyagaraja, known for his extensive contributions to Carnatic music Music of India Genres Traditional Classical Carnatic Odissi Hindustani Folk Borgeet Baul Bhajan Kirtana Shyama Sangeet ...
Musical instruments of the Indian subcontinent can be broadly classified according to the Hornbostel–Sachs system into four categories: chordophones (string instruments), aerophones (wind instruments), membranophones (drums) and idiophones (non-drum percussion instruments).
Gamaka (Hindi: गमक / Urdu: گمک) (also spelled gamakam) refer to ornamentation that is used in the performance of North and South Indian classical music. [1] Gamaka can be understood as embellishment done on a note or between two notes. Present-day Carnatic music uses at least fifteen different kinds of ornamentation. [2]
Yaman's Jati is a Sampurna raga (ideally, yaman is audav sampoorna raag because of the structure- N,RGmDNR'S' NDPmGRS) and in some cases Shadav; the ascending Aaroha scale and the descending style of the avroha includes all seven notes in the octave (When it is audav, the Aroha goes like N,RGmDNS', where the fifth note is omitted; Pa but the Avaroha is the same complete octave).