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The "Stalin Epigram", also known as "The Kremlin Highlander" (Russian: Кремлёвский горец) is a satirical poem by the Russian poet Osip Mandelstam, written in November 1933. The poem describes the climate of fear in the Soviet Union. [1] Mandelstam read the poem only to a few friends, including Boris Pasternak and Anna Akhmatova.
"Fee-fi-fo-fum" is the first line of a historical quatrain (or sometimes couplet) famous for its use in the classic English fairy tale "Jack and the Beanstalk".The poem, as given in Joseph Jacobs' 1890 rendition, is as follows: [1]
People could feel love if they wanted to see. Astrid Lindgren's poem is a poem of comfort and care. The author ends the text humorously. The last line reads: "so there finally would be quiet". Lindgren is tired of the humans' evil deeds, so she wants peace. The word "quiet" refers to the end of senseless noise. It does not refer to death.
"Because I could not stop for Death" is a lyrical poem by Emily Dickinson first published posthumously in Poems: Series 1 in 1890. Dickinson's work was never authorized to be published, so it is unknown whether "Because I could not stop for Death" was completed or "abandoned". [1] The speaker of Dickinson's poem meets personified Death. Death ...
In the early 1980s Harkins sent the piece, with other poems, to various magazines and poetry publishers, without any immediate success. Eventually it was published in a small anthology in 1999. He later said: "I believe a copy of 'Remember Me' was lying around in some publishers/poetry magazine office way back, someone picked it up and after ...
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"And Can It Be That I Should Gain?" is a Christian hymn written by Charles Wesley in 1738 to celebrate his conversion, which he regarded as having taken place on 21 May of that year. [1] The hymn celebrates personal salvation through the death and resurrection of Jesus , and is one of the most popular Methodist hymns today.
"Sonnet X", also known by its opening words as "Death Be Not Proud", is a fourteen-line poem, or sonnet, by English poet John Donne (1572–1631), one of the leading figures in the metaphysical poets group of seventeenth-century English literature. Written between February and August 1609, it was first published posthumously in 1633.