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The Roman version of the Pange lingua hymn was the basis for a famous composition by Renaissance composer Josquin des Prez, the Missa Pange lingua. An elaborate fantasy on the hymn, the mass is one of the composer's last works and has been dated to the period from 1515 to 1521, since it was not included by Petrucci in his 1514 collection of ...
Pange lingua gloriosi proelium certaminis" (Latin for 'Sing, tongue, the battle of glorious combat') is a 6th-century AD Latin hymn generally credited to the Christian poet St. Venantius Fortunatus, Bishop of Poitiers, celebrating the Passion of Christ.
Pange lingua may refer to either of two Mediaeval Latin hymns: " Pange lingua gloriosi proelium certaminis " by Venantius Fortunatus , a.D. 570, extolling the triumph of the Cross (the Passion of Jesus Christ) and thus used during Holy Week . [ 1 ]
Tantum ergo" is the incipit of the last two verses of Pange lingua, a Medieval Latin hymn composed by St Thomas Aquinas circa A.D. 1264. The "Genitori genitoque" and "Procedenti ab utroque" portions are adapted from Adam of Saint Victor's sequence for Pentecost. [1] The hymn's Latin incipit literally translates to "Therefore so great".
The Missa Pange lingua is a musical setting of the Ordinary of the Mass by Franco-Flemish composer Josquin des Prez, probably dating from around 1515, near the end of his life. Most likely his last mass, it is an extended fantasia on the Pange Lingua hymn, and is one of Josquin's most famous mass settings.
The collection is in two parts: the first is a mass setting, the second comprises settings of five hymns for the principal feasts of the church year: Veni Creator (5 versets), Pange lingua (3 versets), Verbum supernum (4 versets), Ave maris stella (4 versets) and A solus ortus (three versets). There are 42 pieces overall.
This is a list of original Roman Catholic hymns. The list does not contain hymns originating from other Christian traditions despite occasional usage in Roman Catholic churches. The list has hymns in Latin and English.
These are the first published collections of organ music in 17th century France. The first, Hymnes de l'Église pour toucher sur l'orgue, avec les fugues et recherches sur leur plain-chant (1623, 2nd edition in 1624), contains 12 hymns: Ad coenam (4 versets) Veni Creator (4 versets) Pange lingua (3 versets) Ut queant laxis (3 versets)