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Although this was still analog, some professional Hi8 equipment could store additional digital stereo PCM sound on a special reserved track. Digital8 is the most recent 8mm video format. It retains the same physical cassette shell as its predecessors, and can even record onto Video8 (not recommended) or Hi8 cassettes.
The scanned footage is edited and composited on work stations then mastered back on film, see film-out and digital intermediate. Scanned film frames may also be used in digital film restoration. The film may also be projected directly on a digital projector in the theater. The data film files may be converted to SDTV (NTSC or PAL) video TV systems.
To facilitate digital recording on existing Hi8 video cassettes the helical scan video head drum spins 2.5× faster. For both NTSC and PAL Digital8 equipment, a standard-length 120-minute NTSC/90-minute PAL Hi8 magnetic tape cassette will store 60 minutes of Digital8 video (Standard Play) or 90 minutes (Long Play). There are 90-minute versions ...
AMPEX quadruplex VR-1000A, the first commercially released video tape recorder in the late 1950s; quadruplex open-reel tape is 2 inches wide The first portable VTR, the suitcase-sized 1967 AMPEX quadruplex VR-3000 1976 Hitachi portable VTR, for Sony 1" type C; the source and take-up reels are stacked for compactness.
An array of high-power multiple red, green and blue LEDs is pulsed just as the film frame is positioned in front of the optical lens. The camera sends the single, non-interlaced image of the film frame to a digital frame store, where the electronic picture is clocked out at the selected TV frame rate for PAL or NTSC or other standards.
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