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The Royal Concertgebouw Orchestra (Dutch: Koninklijk Concertgebouworkest, pronounced [ˌkoːnɪŋklə kɔnˈsɛrtxəbʌu.ɔrˌkɛst]) is a Dutch symphony orchestra, established in 1888 at the Amsterdam Royal Concertgebouw (concert hall). It is considered one of the world's leading orchestras. [1]
Professional orchestras Helsinki Philharmonic Orchestra ("HKO", Finnish: Helsingin kaupunginorkesteri, Swedish: Helsingfors stadsorkester), founded in 1882; Finnish Radio Symphony Orchestra ("RSO" (eng. "FRSO"), Finnish: Radion sinfoniaorkesteri, Swedish: Radions symfoniorkester), founded in 1927
Royal Concertgebouw Orchestra chief conductors (7 P) Pages in category "Royal Concertgebouw Orchestra" The following 3 pages are in this category, out of 3 total.
He will perform the same work with the Royal Concertgebouw Orchestra and Kurt Masur in the 2011/2012 season. His last performances with Eduard Lalo's Symphonie Espagnole with RCO in Amsterdam and in Cape Town and Sofia in 2013/2014 were memorable. His new all Bach CD with the Concertgebouw Chamber Orchestra is out on PENTATONE.
The resident orchestra of the Concertgebouw is the Royal Concertgebouw Orchestra (Koninklijk Concertgebouworkest), which gave its first concert in the hall on 3 November 1888, as the Concertgebouw Orchestra (Concertgebouworkest).
2012–2013: "Queen's Night" concert with Royal Concertgebouw Orchestra [ edit ] In October 2011 Fink were approached by the Royal Concertgebouw Orchestra of the Netherlands , and Dutch classical music charity Entree, to perform with the orchestra on the traditional Queen's night concert the following year.
In 2007, Theo Verbey completed his second commission for the Royal Concertgebouw Orchestra: LIED, for Trombone and Orchestra, with Jörgen van Rijen as soloist. His Fractal Symphony was chosen by choreographer Regina van Berkel as music to accompany her ballet Memory of a Shape performed by Ballet Mainz in 2009.
Other Philips recordings included a 1982 set of Haydn's twelve London symphonies with the Royal Concertgebouw Orchestra "distinguished by performances of tremendous style and authority, and a sense of rhythmic impetus that is most exhilarating"; [47] and a 1995 Beethoven symphony cycle with the Dresden Staatskapelle, of which Gramophone wrote ...