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Đám cưới chuột (Rat's wedding), a popular example of Đông Hồ painting. Ðông Hồ painting (Vietnamese: Tranh Đông Hồ or Tranh làng Hồ), full name Đông Hồ folk woodcut painting (Tranh khắc gỗ dân gian Đông Hồ) is a line of Vietnamese folk painting originating in Đông Hồ village (Song Hồ commune, Thuận Thành District, Bắc Ninh Province).
The origin of Hàng Trống painting dates back to the 16th century during the reign of the Lê dynasty.Different from the countryside Đông Hồ, the manufacturing area of Hang Trong painting is located in the Tiêu Túc (later changed to Thuận Mỹ) district in the very heart of Hanoi which is now the quarter between Hàng Trống, Hàng Nón, Hàng Hòm and Hàng Quạt streets.
Consequently, woodcut was the main medium for book illustrations until the late sixteenth century. The first woodcut book illustration dates to about 1461, only a few years after the beginning of printing with movable type, printed by Albrecht Pfister in Bamberg. Woodcut was used less often for individual ("single-leaf") fine-art prints from ...
The origin of Kim Hoàng painting was dated back to the 18th century during the reign of the Lê dynasty.The pictures were made in the Kim Hoàng village, now in Hoài Đức (), [3] which was one of the few place where folk paintings were made in Vietnam during the dynastic time, along with Hàng Trống, Đông Hồ and Sình village. [4]
The White Tiger (Bạch hổ) picture of Hang Trong painting.The author is unknown because it is a traditional painting dated back to the 17th century. Buddhist temples were key sites of print culture from the 17th–19th century, translating, printing, and disseminating key sutras to lay populations in both urban and rural villages. [1]
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Woodcut, a relief printing technique in printmaking; Coppicing, a traditional method of woodland management; A woodcutter may refer to: A gatherer of firewood; A lumberjack; An artist producing woodcuts
Vietnamese art and ceramics during this period of independence (approximately 10th to 15th centuries) flourished. The ceramics from this period were thought to have been largely influenced by both ancient native styles and the Tang and later Song dynasty's art, including applying the "three colors" concept to its ceramics.