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It is mentioned by the character Costard in Act V, Scene I of William Shakespeare's Love's Labour's Lost. As it appears only once in Shakespeare's works, it is a hapax legomenon in the Shakespeare canon. At 27 letters, it is the longest word in the English language to strictly alternate between consonants and vowels. [1]
Comparison of the "To be, or not to be" speech in the first three editions of Hamlet, showing the varying quality of the text in the Bad Quarto, the Good Quarto, and the First Folio. "To be, or not to be" is a speech given by Prince Hamlet in the so-called "nunnery scene" of William Shakespeare's play Hamlet (Act 3, Scene 1).
Tell the truth and shame the Devil (Shakespeare, Henry IV) The age of miracles is past; The apple does not fall/never falls far from the tree; The best condiments are authentic flavors; The best defense is a good offense; The best-laid schemes of mice and men often go awry; The best things in life are free
This phrase is sometimes mistakenly rendered as "to the manor born", and used to mean 'of the privileged class”; see references for more on this one. In recent years this misconception has spread through the popularity of the British sitcom To the Manor Born, the title of which was a deliberate pun on Shakespeare's phrase.)
Sonnet 114 is one of 154 sonnets written by the English playwright and poet William Shakespeare. It is a member of the Fair Youth sequence, in which the poet expresses his love towards a young man. Synopsis
Also known as "When I consider every thing that grows," Sonnet 15 is one of English playwright and poet William Shakespeare's 154 sonnets. It is a contained within the Fair Youth sequence, considered traditionally to be from sonnet 1-126 "which recount[s] the speaker's idealized, sometimes painful love for a femininely beautiful, well-born male youth". [2]
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The popular form of the expression is a derivative of a line in William Shakespeare's play The Merchant of Venice, which employs the word "glisters," a 16th-century synonym for "glitters." The line comes from a secondary plot of the play, in the scroll inside the golden casket the puzzle of Portia 's boxes (Act II – Scene VII – Prince of ...