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The Virgin and Child surrounded by the Holy Innocents (1616) by Rubens. The Virgin and Child surrounded by the Holy Innocents or The Virgin and Child with Angels is a 1616 oil painting by Peter Paul Rubens, showing the Virgin and Christ Child with the Holy Innocents. It was originally produced as oil on panel, before being transferred to canvas.
Saint Gregory with Saints or Pope Saint Gregory, Surrounded by Saints, Venerating the Miraculous Image of the Madonna and Child, known as the Santa Maria in Vallicella is a 1606-1607 oil on canvas painting by Peter Paul Rubens, now in the musée de Grenoble.
One of them is a self-portrait of Rubens. [1]: 84 When the painting was cut apart, the side sections were removed and reduced to pieces to extract the portraits of the children as paintings in their own right. These portraits where all divided (they are now found in various different places) with the exception of Eleonora Gonzaga.
The chapel is a marble altar portico with two columns framing the altarpiece of the Virgin and child with saints painted by Rubens himself. The painting expresses the basic tenets of the Counter Reformation through the figures of the Virgin and saints.
At the time of Rubens' first painting on the subject Antwerp had been involved in warfare only a few years before – a conflict temporarily frozen by the truce of 1609. In one year alone over 8,000 citizens had been killed by Calvinists and Catholics alike as the Spanish forces ruling the Netherlands sought to repel Protestant armies.
The famed New York museum thought the painting wasn't the work of Rubens—now Christie’s London is about to sell it for an estimated $4 million to $6.8 million
The Adoration of the Magi is a painting of 1633–34 by the Flemish Baroque artist Peter Paul Rubens, made as an altarpiece for a convent in Louvain. It is now in King's College Chapel, Cambridge, in England. It measures 4.2 m × 3.2 m (13 ft 9 in × 10 ft 6 in).
Virgin and Child (c. 1608–1621) by Rubens. Virgin and Child is a painting by Rubens, commissioned in 1604 and completed between 1608 and 1621. It was seized by France in 1803 and is now in the Musée des Beaux-Arts Tours.