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Lyrical dance is competition dance style and is only used to describe a specific style of dance in the world of competitive dance. “Lyrical” is used to describe a quality or movement type in other dance settings, but not as a style name such as Jazz or Ballet. There has only been one instance of lyrical being used in a professional setting ...
This is a list of dance categories, different types, styles, or genres of dance. For older and more region-oriented vernacular dance styles, see List of ethnic, regional, and folk dances by origin .
The origins of lyrical ballet lie in the Soviet ballroom dances, the Russian lyrical dance in particular. The Russian lyrical dance was a progressive dance based on Russian folk tunes with a soft and smooth character, danced at medium tempo, in 2/4 or 4/4 time. Today, the nomenclature 'Russian lyrical' has lost its relevance but the dance form ...
The word ghazal originates from the Arabic word غزل (ġazal). This genre of Arabic poetry is derived from غَزَل (ḡazal) or غَزِلَ (ḡazila) - To sweet-talk, to flirt, to display amorous gestures. [6] The Arabic word غزل ġazal is pronounced . In English, the word is pronounced / ˈ ɡ ʌ z əl / [7] or / ˈ ɡ æ z æ l /. [8]
Urdu ghazal is a form of lyrical poetry that originated in the Urdu language during the Mughal Empire. It consists of rhyming couplets, with each line sharing the same meter. [ 42 ]
In Persian, Turkic and Urdu poetry, the matla ' (from Arabic مطلع maṭlaʿ; Persian: مطلع; Azerbaijani: mətlə; Turkish: matla; Uzbek: matla; Urdu: مطلع) is the first bayt, or couplet, of a ghazal. [1] [2] In this sense, it is the opposite of the maqta'.
Mujra is a dance performance by man/woman in a format that emerged during Mughal rule in India, where the elite class and local rulers like the nawabs of the Indian society (often connected to the Mughal emperor's court) used to frequent tawaifs (courtesans) for their entertainment.
She described those elements as "main elements of Azerbaijani female dance", [22] while pointing out that "syzme" is an "integral part of Armenian dance". [23] Tkachenko also noted that in Armenia, the lyrical dance of the bride was performed after the solemn dances of the matchmaker, parents, and groom, to the melodies of "Uzundara", "Nunufar ...