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A doppelgänger [a] (/ ˈ d ɒ p əl ɡ ɛ ŋ ər,-ɡ æ ŋ-/ DOP-əl-gheng-ər, -gang-), sometimes spelled doppelgaenger or doppelganger, is a ghostly double of a living person, especially one that haunts its own fleshly counterpart.
The song has three music videos, all of which are live action. The first features the Ting Tings with white background, performing the song on a set, with alternating scenes of White with blue and red backgrounds. This version of the video was used to promote the song and album upon its 2007 release.
In the tour that followed the release, the band presented a full multimedia event, complete with video screens synchronized to the music, something that was unusual in the early 1980s for any Christian band. The stage presentation even prompted heckling at some shows. [3] This album, along with the other three albums from the Alarma!
In 2017 Curve re-released the Doppelganger CD as a double album. This release included their first three EPs. The Cuckoo album was also re-released as a double album and included, amongst other songs, several remixes. The band's website, maintained by Garcia, has at various times since 2004 posted updates on projects by Halliday and Garcia.
Every song here is swimming in guitars – mashed, chewed, flanged, compressed, squally, howling, whatever. But no matter how cacophonous the music gets (and 'Ice That Melts the Tips' sounds as though three guitars are beating the crap out of a fourth), Halliday's voice is terrifically sensual and seductive, sounding just the pretty side of evil.
The song brings Us back to Swift’s “Hits Different” as the Midnights song and “‘My Boy Only Breaks His Favorite Toys” both mention Barbie’s man, Ken. “I used to switch out these ...
Doppelganger received mixed reviews from critics. Vince Ripol describes the album as entertaining, provided listeners have the prerequisite of an acquired taste for the bizarre, often comical travelogues set to exotic pop which represent the essence of Kid Creole & the Coconuts. [2]
Two teenagers have sparked a major generational debate online — thanks to their allegedly “disappointing” lack of pop music knowledge.