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Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
Relating to music produced by instruments, as opposed to electric or electronic means ad libitum (commonly ad lib; Latin) At liberty (i.e. the speed and manner of execution are left to the performer. It can also mean improvisation.) adagietto Fairly slowly (but faster than adagio) adagio Slowly adagissimo Very, very slowly affannato, affannoso ...
Etymologically, "cuboid" means "like a cube", in the sense of a convex solid which can be transformed into a cube (by adjusting the lengths of its edges and the angles between its adjacent faces). A cuboid is a convex polyhedron whose polyhedral graph is the same as that of a cube. [1] [2] General cuboids have many different types.
Zoomusicology (/ ˌ z oʊ ə m j uː z ɪ ˈ k ɒ l ə dʒ i /) is the study of the musical aspects of sound and communication as produced and perceived by animals. [1] It is a field of musicology and zoology, and is a type of zoosemiotics.
Parsons covered around 15,000 classical, popular and folk pieces in his dictionary. In the process he found out that *UU is the most popular opening contour, used in 23% of all the themes, something that applies to all the genres. [ 7 ]
This glossary of biology terms is a list of definitions of fundamental terms and concepts used in biology, the study of life and of living organisms.It is intended as introductory material for novices; for more specific and technical definitions from sub-disciplines and related fields, see Glossary of cell biology, Glossary of genetics, Glossary of evolutionary biology, Glossary of ecology ...
The principal transformations of neo-Riemannian triadic theory connect triads of different species (major and minor), and are their own inverses (a second application undoes the first).
Judges of contest music may describe a performance as bringing the music on the page to life; of expressing more than the mere faithful reproduction of pitches, rhythms, and composer dynamic markings. In the company of two or more musicians, there is the added experience of the ensemble effect in which the players express something greater than ...