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  2. Royal road progression - Wikipedia

    en.wikipedia.org/wiki/Royal_road_progression

    IV M7 –V 7 –iii 7 –vi chord progression in C. Play ⓘ One potential way to resolve the chord progression using the tonic chord: ii–V 7 –I. Play ⓘ. The Royal Road progression (王道進行, ōdō shinkō), also known as the IV M7 –V 7 –iii 7 –vi progression or koakuma chord progression (小悪魔コード進行, koakuma kōdo shinkō), [1] is a common chord progression within ...

  3. Harlot's Prayer - Wikipedia

    en.wikipedia.org/wiki/Harlot's_Prayer

    Harlot's Prayer (Indonesian: Tuhan, Izinkan Aku Berdosa; lit. God, Allow Me to Sin) is a 2023 Indonesian drama film directed by Hanung Bramantyo from a screenplay by Ifan Ismail, based on the 2003 novel Tuhan Izinkan Aku Menjadi Pelacur! by Muhiddin M. Dahlan.

  4. Tonic (music) - Wikipedia

    en.wikipedia.org/wiki/Tonic_(music)

    In music of the common practice period, the tonic center was the most important of all the different tone centers which a composer used in a piece of music, with most pieces beginning and ending on the tonic, usually modulating to the dominant (the fifth scale degree above the tonic, or the fourth below it) in between.

  5. Hallelujah (Leonard Cohen song) - Wikipedia

    en.wikipedia.org/wiki/Hallelujah_(Leonard_Cohen...

    Written in the key of C major, the chord progression of C, F, G, A minor, F matches those referenced in the song's famous first verse. [ 15 ] [ 16 ] When at age 50 Cohen first recorded the song, he described it as "rather joyous", and said that it came from "a desire to affirm my faith in life, not in some formal religious way, but with ...

  6. Figured bass - Wikipedia

    en.wikipedia.org/wiki/Figured_bass

    This instructs the chord-playing instrumentalist not to play any improvised chords for a period. The reason tasto solo had to be specified was because it was an accepted convention that if no figures were present in a section of otherwise figured bass line, the chord-playing performer would either assume that it was a root-position triad, or ...

  7. O Ewigkeit, du Donnerwort, BWV 20 - Wikipedia

    en.wikipedia.org/wiki/O_Ewigkeit,_du_Donnerwort...

    Bach uses a number of musical illustrations to complement the text: "Ewigkeit" (eternity) is rendered in long notes in the lower voices and the instruments; "Donnerwort" (thunderous word) appears as a sudden change to short notes with a melisma in the bass; on the words "große Traurigkeit" (great sadness), a downward chromatic line from the ...

  8. Chaconne - Wikipedia

    en.wikipedia.org/wiki/Chaconne

    The "Ciaccona" from Johann Sebastian Bach's Partita for Violin No. 2. A chaconne (/ ʃ ə ˈ k ɒ n / shə-KON, French:; Spanish: chacona; Italian: ciaccona [tʃakˈkoːna]; earlier English: chacony) [1] is a type of musical composition often used as a vehicle for variation on a repeated short harmonic progression, often involving a fairly short repetitive bass-line (ground bass) which offers ...

  9. The Lost Chord - Wikipedia

    en.wikipedia.org/wiki/The_Lost_Chord

    "The Lost Chord" is a song composed by Arthur Sullivan in 1877 at the bedside of his brother Fred during Fred's last illness. The manuscript is dated 13 January 1877; Fred Sullivan died five days later. The lyric was written as a poem by Adelaide Anne Procter called "A Lost Chord", published in 1860 in The English Woman's Journal. [1]

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