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"Tomorrow Will Be Better" (Chinese: 明天會更好; pinyin: Míngtiān huì Gènghǎo) is a Taiwanese Mandopop charity record written by Lo Ta-yu and sung by over 60 artists. It was recorded on 15 September 1985 and released on 25 October 1985 in order to raise money for World Vision International to help with aid to Africa.
Western-influenced music first came to China in the 1920s, specifically through Shanghai. [7] Artists like Zhou Xuan (周璇) acted in films and recorded popular songs.. When the People's Republic of China was established by the Chinese Communist Party in 1949, one of the first actions taken by the government was to denounce pop music (specifically Western pop) as decadent music. [7]
It is the Chinese theme song for the American sci-fi film Passengers. [1] The music video captures scenes from the film Passengers, and features G.E.M. singing in the Avalon. The video became the first by a Hong Kong artist to reach 100 million views on YouTube, and has since garnered over 280 million views on the platform.
Lo Ta-yu (Chinese: 羅大佑; pinyin: Luó Dàyòu; born 20 July 1954), also known as Luo Dayou and Law Tai-yau, is a Taiwanese singer and songwriter.During the 1980s, Lo became one of the most influential Mandopop singer-songwriters with his melodic lyrics and love songs, and his witty social and political commentary that he infused in his more political songs, often to the point that some of ...
The song was released in 1980 and became highly successful in Taiwan as a nationalistic anthem. [5] It stayed top in the list of the most popular songs of Minsheng newspaper for fifteen weeks. [6] Hou later emigrated to mainland China in 1983, where the song also became popular, and it was interpreted as a pan-Chinese call for unification. [3]
The AOL.com video experience serves up the best video content from AOL and around the web, curating informative and entertaining snackable videos.
Colorful costumes, endless radio play, and big-money music videos supported the top tunes throughout the '90s. In short, it was a time of musical triumph — and some of the decade’s biggest ...
During the 70s and 80s, artists like Leslie Cheung and Anita Mui have experimented with fusion between disco music and Cantopop. In present day, underground electronic scenes and electronic music festivals such as Shi Fu Miz Festival and Creamfields Hong Kong plays an important role spreading electronic music culture in the city. [ 9 ]