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Le Nove porcelain, Bowl with cover, 1765–70, painted with ruins, soft-paste porcelain The front side of the Cross of Lothair (c. 1000), a classic example of "Ars Sacra" Wine Pot, c. 18th century, China, Walters Art Museum. The decorative arts are arts or crafts whose aim is the design and manufacture of objects that are both beautiful and ...
Art Deco, short for the French Arts décoratifs (lit. ' Decorative Arts '), [1] is a style of visual arts, architecture, and product design, that first appeared in Paris in the 1910s (just before World War I), [2] and flourished in the United States and Europe during the 1920s to early 1930s.
Ornamental or decorative art can usually be analysed into a number of different elements, which can be called motifs. These may often, as in textile art, be repeated many times in a pattern. Important examples in Western art include acanthus, egg and dart, [2] and various types of scrollwork.
In architecture and decorative art, ornament is decoration used to embellish parts of a building or object. Large figurative elements such as monumental sculpture and their equivalents in decorative art are excluded from the term; most ornaments do not include human figures, and if present they are small compared to the overall scale.
Also included within the visual arts [1] are the applied arts, [2] such as industrial design, graphic design, fashion design, interior design, and decorative art. [3] Current usage of the term "visual arts" includes fine art as well as applied or decorative arts and crafts, but this was not always the case.
A work of art, artwork, [1] art piece, piece of art or art object is an artistic creation of aesthetic value. Except for "work of art", which may be used of any work regarded as art in its widest sense, including works from literature and music , these terms apply principally to tangible, physical forms of visual art :
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That is, decorative art must first have utility, but may also be beautiful. [15] However, according to Michael Shindler, the decorative art branch of the Aesthetic Movement, was less the utilitarian cousin of Aestheticism's main 'pure' branch, and more the very means by which aesthetes exercised their fundamental design strategy.