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Christ with the Woman Taken in Adultery, by Guercino, 1621 (Dulwich Picture Gallery) Christ and Sinner, 1873 by Henryk Siemiradzki Christ and the Woman Taken in Adultery, 1565 by Pieter Bruegel, oil on panel, 24 cm × 34 cm (9.4 in × 13.4 in) Christ and the woman taken in adultery, drawing by Rembrandt
and whoever marries a divorced woman commits adultery. The New Living Translation translates this passage as: But I say that a man who divorces his wife, unless she has been unfaithful, causes her to commit adultery. And anyone who marries a divorced woman also commits adultery. For a collection of other versions see BibleHub Matthew 5:32
Matthew 5:30 is the thirtieth verse of the fifth chapter of the Gospel of Matthew in the New Testament and is part of the Sermon on the Mount. Part of the section on adultery, it is very similar to the previous verse, but with the hand mentioned instead of the eye. For a discussion of the radicalism of these verses see Matthew 5:29.
The word translated as woman is gyne, which can mean either woman or wife. Some scholars believe that Jesus is only talking about lusting after another's wife, not the attraction of a man to a woman in general. [3] Nolland notes that sexual desire is not condemned in Matthew or in the contemporary literature, only misdirected desire. [4]
The verse is similar to Mark 9:47, and a version much closer to that in Mark appears at Matthew 18:9. [1] This verse, along with the next one, is the most extreme part of the Sermon on the Mount. R. T. France notes that the severity of this verse is unparalleled in the contemporary literature. [2] It advocates an action that is extremely drastic.
Jesus and the woman taken in adultery is a biblical episode from John 8:1–8:20 where Jesus encounters an adulteress brought before Pharisees and scribes, which has been depicted by many artists. Such a crime was punishable by death by stoning ; however, in the scene, Jesus stoops to write (in Dutch) he that is without sin among you, let him ...
The parable does not seem to be an attack on Pharisees, but rather an attempt to teach Simon to see the woman as Jesus sees her. [4] [5] The description of the woman suggests that she is a known prostitute, [4] [5] [6] although this inference is disputed. [7] If she is a prostitute, her presence defiles the Pharisee's ritual purity.
But the censor did not allow these words to be included in the catalogue, but allowed 'Christ and the woman caught in adultery', because that was the name of other paintings, and then in the museum it was called 'The Prodigal Woman', which was completely contrary to the Gospel story, which clearly says that it is a woman who has sinned.