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Sample page from ca. 1948 Grimshaw catalogue. Grimshaw Guitars (initially "Emile Grimshaw & Son") was a British manufacturer of guitars and related instruments from the 1930s to the 1980s, known for producing acoustic archtop guitars in the 1930s–1940s, electrified archtop guitars (with pickups) in the 1940s and 1950s, semi-solid (thinline) electric guitars in the 1950s–1960s, and mainly ...
The shorter-necked, tenor banjo, with 17 ("short scale") or 19 frets, is also typically played with a plectrum. It became a popular instrument after about 1910. Early models used for melodic picking typically had 17 frets on the neck and a scale length of 19 1 ⁄ 2 to 21 1 ⁄ 2 inches.
They are differentiated from later Gibson banjos by their scarcity. Banjo sales plummeted during the Great Depression, for lack of buyers, and metal parts became scarce into the 1940s as factories shifted to support the war. [1] As parts became scarce, non-standard versions came out, made from a variety of leftover parts, called floor sweep ...
Born in Tokyo, Japan, Tagawa was introduced to the banjo in 1956, when he was twenty-one, by Takashi Tsunoda, one of Japan's top banjoists and recording artists. [3] Although he started on guitar, he found his calling after picking up a four-string tenor banjo. Shortly thereafter, he purchased a used tenor banjo for $20.00.
The banjeaurine is tuned a fourth higher than the standard banjo (or like a Standard Banjo w/ a Capo on the 5th Fret), at open C major. Most notably constructed by Stewart, banjeaurines were also offered by other major banjo manufacturers, including Washburn , Fairbanks, Fairbanks & Cole , Cole , Vega , Weyman, Schall , Thompson & Odell ...
The company initially manufactured only traditional folk instruments such as mandolins, tenor guitars and banjos, [3] but eventually grew to make a wide variety of stringed instruments, including violins, cellos, double basses and a variety of different types of guitars, including electric, classical, lap steel and semi-acoustic models.
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