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The English rock band The Beatles auditioned for Decca Records at Decca Studios in West Hampstead, north London, on 1 January 1962.They were rejected by the label, who instead signed a contract with Brian Poole and the Tremeloes. [1]
The Anthology series takes a form similar to that of the Anthology book, by being a series of first-person accounts by the Beatles themselves, with no external "objective" narration. Footage in the Anthology series features voice-over recordings of all four Beatles to push the narrative of the story, with contributions from their producer, road ...
Barrow then arranged to get the Beatles an audition with Decca, who rejected them. [9] That led to an informal arrangement whereby Barrow became the Beatles' part-time press-publicity consultant, which involved promoting the launch of the new EMI band from behind a desk at rival London record company Decca.
1914 advertisement for Decca Dulcephone. The origins of the Decca Record Company were not in making records but in making the gramophones on which to play them. Shortly before the First World War the first Decca product was offered to the public: the "Decca Dulcephone" a portable gramophone, retailing at two guineas (£2.10 in decimal currency, and equivalent to about £250 in 2023 terms).
Lewis kept Decca ahead of the British competition by launching the long-playing record in Europe in June 1950, following the example of American Columbia, and encouraging the development of stereophony as early as 1954. [3] In the early 1960s, Decca rejected The Beatles at an audition, but did sign The Rolling Stones and other successful groups ...
Director Peter Jackson’s eight-hour documentary “The Beatles: Get Back” is set to be released on DVD and Blu-Ray this summer, with the sprawling doc from 2021 finally available in physical ...
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In 1977, a copy of the Beatles' Decca audition tape was bought by a collector, who released the songs over a series of seven 45 rpm singles pressed on coloured vinyl with full colour picture sleeves. [5] Bootleggers of this era often copied and repackaged each other's releases, so popular titles often appeared from more than one bootleg label.