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Oral repositories are people who have been trusted with mentally recording information constituting oral tradition within a society. They serve an important role in oral cultures and illiterate societies as repositories of their culture's traditional knowledge , values, and morals.
It is likely that oral storytelling has existed as long as human language. Storytelling fulfills the need to cast personal experiences in narrative form. Storytelling is evident in ancient cultures such as the Australian Aboriginals. Community storytelling offered the security of explanation—how life and its many forms began and why things ...
Word of mouth is the passing of information from person to person using oral communication, which could be as simple as telling someone the time of day. [1] Storytelling is a common form of word-of-mouth communication where one person tells others a story about a real event or something made up.
Oral tradition, or oral lore, is a form of human communication in which knowledge, art, ideas and culture are received, preserved, and transmitted orally from one generation to another. [1] [2] [3] The transmission is through speech or song and may include folktales, ballads, chants, prose or poetry.
The epic of Pabuji is an oral epic in the Rajasthani language that tells of the deeds of the folk hero-deity Pabuji, who lived in the 14th century. Storytelling, intertwined with the development of mythologies, [2] predates writing. The earliest forms of storytelling were usually oral, combined with gestures and expressions.
The following is a list of language disorders. A language disorder is a condition defined as a condition that limits or altogether stops natural speech . A language disorder may be neurological, physical, or psychological in origin.
Dyslexia is a common language-based learning disability. Dyslexia can affect reading fluency, decoding, reading comprehension, recall, writing, spelling, and sometimes speech and can exist along with other related disorders. [15] The greatest difficult those with the disorder have is with spoken and the written word.
The spectacle of Djemaa el Fna is repeated daily and each day it is different. Everything changes – voices, sounds, gestures, the public which sees, listens, smells, tastes, touches. The oral tradition is framed by one much vaster – that we can call intangible. The Square, as a physical space, shelters a rich oral and intangible tradition.