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Double page from Blame!. Blame! is set in "The City", a gigantic megastructure occupying much of what used to be the Solar System. Its exact size is unknown, but Tsutomu Nihei suggested its diameter to be at least equal to Jupiter's orbit, or about 1.6 billion kilometers (a detail suggested in the manga by having Killy cross an empty, spherical room roughly the size of Jupiter, suggesting that ...
Blame! is a 2017 Japanese animated science fiction action film directed by Hiroyuki Seshita, produced by Polygon Pictures, written by Sadayuki Murai and based on the manga series Blame!, which was written and illustrated by Tsutomu Nihei.
Blame is a 2017 American teen psychological drama film written, co-produced, edited, and directed by Quinn Shephard, who also stars alongside Nadia Alexander, Tate Donovan, and Chris Messina. [1] The film is Shephard's feature film directorial debut . [ 2 ]
Blame is the act of censuring, holding responsible, or making negative statements about an individual or group that their actions or inaction are socially or morally ...
The Gods Are Not To Blame is a 1968 play and a 1971 novel by Ola Rotimi. [1] An adaptation of the Greek classical play Oedipus Rex , the story centres on Odewale, who is lured into a false sense of security, only to somehow get caught up in a somewhat consanguineous trail of events by the gods of the land.
As explained in Wikipedia:Plot-only description of fictional works, an encyclopedia article about a work of fiction frequently includes a concise summary of the plot. The description should be thorough enough for the reader to get a sense of what happens and to fully understand the impact of the work and the context of the commentary about it.
Blame the Hero is an American post-apocalyptic science fiction dark humor web miniseries created by Brandon Rogers.The series, which stars Rogers' as multiple main characters, centers around street thug Blame, who is sent back in time to prevent a nuclear apocalypse.
La culpa es de los tlaxcaltecas (Blame the Tlaxcaltecs) is a short story by Elena Garro, published by in 1964 as part of the collection La Semana de Colores. [1] In the work, Garro uses magical realism in order to convey a message about the role of women in society.