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Helping define the objective correlative, Eliot's essay "Hamlet and His Problems", [1] republished in his book The Sacred Wood: Essays on Poetry and Criticism discusses his view of Shakespeare's incomplete development of Hamlet's emotions in the play Hamlet. Eliot uses Lady Macbeth's state of mind as an example of the successful objective ...
The objective correlative concept that Eliot popularized in this essay refers to the concept that the only way to express an emotion through art is to find "a set of objects, a situation, [or] a chain of events" [2] that will, when read or performed, evoke a specific sensory experience in the audience.
Objective correlative; Simile: a figure of speech that directly/explicitly compares two things. Homeric simile (aka epic simile) Syzygy: the combination of 2 metrical feet into a single unit, similar to an elision.
In "Hamlet and His Problems" Eliot presents the phrase "objective correlative." The theory is that the expression of emotion in art can be achieved by a specific, and almost formulaic, prescription of a set of objects, including events and situations. A particular emotion is created by presenting its correlated objective sign.
objective correlative objective criticism obligatory scene octameter octave octet An eight-line stanza of poetry. [11] ode A lyrical poem, sometimes sung, that focuses on the glorification of a single subject and its meaning. Often has an irregular stanza structure. [15] Oedipus complex onomatopoeia
Also important to New Criticism was the idea—as articulated in Eliot's essay "Hamlet and His Problems"—of an "objective correlative", which posits a connection among the words of the text and events, states of mind, and experiences. [94]
Eliot targeted Hamlet's disgust with his mother as lacking an "objective correlative"; viz., his feelings were excessive in the context of the play. Questions about Gertrude and other minor characters were later taken underwing by the feminist criticism movement, as criticism focused more and more on questions of gender and political import.
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