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He makes reference to T.S. Eliot's topic, "the Objective Correlative", as the subject being every girl, or any girl. In adherence to this reference, the author allows himself the literary license to step outside the scope of his personal experience, and to conjecture about the emotions and responses inherent with the situation, and utilize the ...
The objective correlative concept that Eliot popularized in this essay refers to the concept that the only way to express an emotion through art is to find "a set of objects, a situation, [or] a chain of events" [2] that will, when read or performed, evoke a specific sensory experience in the audience.
In "Hamlet and His Problems" Eliot presents the phrase "objective correlative." The theory is that the expression of emotion in art can be achieved by a specific, and almost formulaic, prescription of a set of objects, including events and situations. A particular emotion is created by presenting its correlated objective sign.
Topics include Eliot's opinions of many literary works and authors, including William Shakespeare's play Hamlet, and the poets Dante Alighieri and William Blake. [ 1 ] One of his most important prose works, " Tradition and the Individual Talent ", which was originally published in two parts in The Egoist , is a part of The Sacred Wood .
Also very influential were the critical essays of T. S. Eliot, such as "Tradition and the Individual Talent" and "Hamlet and His Problems", in which Eliot developed his notions of the "theory of impersonality" and "objective correlative" respectively. Eliot's evaluative judgments, such as his condemnation of John Milton and John Dryden, his ...
Pages in category "T. S. Eliot" The following 15 pages are in this category, out of 15 total. ... Objective correlative; P. Poetry Book Society; T. T. S. Eliot Prize;
Eliot targeted Hamlet's disgust with his mother as lacking an "objective correlative"; viz., his feelings were excessive in the context of the play. Questions about Gertrude and other minor characters were later taken underwing by the feminist criticism movement, as criticism focused more and more on questions of gender and political import.
Thomas Stearns Eliot OM (26 September 1888 – 4 January 1965) was a poet, essayist and playwright. [1] He was a leading figure in English-language Modernist poetry where he reinvigorated the art through his use of language, writing style, and verse structure.