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Illusionistic ceiling painting, which includes the techniques of perspective di sotto in sù and quadratura, is the tradition in Renaissance, Baroque and Rococo art in which trompe-l'œil, perspective tools such as foreshortening, and other spatial effects are used to create the illusion of three-dimensional space on an otherwise two ...
Figure from Prestongrange House, the ceiling is dated 1581. Scottish renaissance painted ceilings are decorated ceilings in Scottish houses and castles built between 1540 and 1640. This is a distinctive national style, though there is common ground with similar work elsewhere, especially in France, Spain and Scandinavia. [1]
Ceiling in the Louvre Palace. A painted ceiling is a ceiling covered with an artistic mural or painting. They are usually decorated with fresco painting, mosaic tiles and other surface treatments. While hard to execute (at least in situ) a decorated ceiling has the advantage that it is largely protected from damage by fingers and dust.
Victorian design is widely viewed as having indulged in a grand excess of ornament. The Victorian era is known for its interpretation and eclectic revival of historic styles mixed with the introduction of Asian and Middle Eastern influences in furniture, fittings, and interior decoration .
Tempera painting was the primary panel painting medium for nearly every painter in the European Medieval and Early renaissance period up to 1500. For example, most surviving panel paintings attributed to Michelangelo are executed in egg tempera, an exception being his Doni Tondo which uses both tempera and oil paint.
Falu red is still widely used in the countryside. The Finnish expression "punainen tupa ja perunamaa" ('a red cottage and a potato patch'), referring to idyllic home and life, is a direct allusion to a country house painted in falu red. Falu red after being mixed and cooked to a paint
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The background of the painting was originally green, but Matisse changed it to blue before exhibiting it at the Salon d'Automne in 1908. Sergey Shchukin purchased the work from the exhibition. In 1909, Matisse repainted the background in red, giving it the new title The Dessert: Harmony in Red. Matisse had the goal of capturing still life and ...
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