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The song was much admired by American composer and conductor Leonard Bernstein. In his 1967 television special Inside Pop: The Rock Revolution, he described it as a "remarkable song" and demonstrated its shift in time signature as an example of the Beatles' talent for inventive and unexpected musical devices in their work. [80]
In a 1980 interview for Playboy magazine, Lennon described it as "one of my favourite songs of the Beatles". [5] In 2000, Mojo placed "Here, There and Everywhere" at number 4 on its list of the greatest songs of all time. [6] In April 2004, Rolling Stone ranked it 25th out of the "100 Greatest Beatles Songs". [8]
A simple twelve-bar blues number extended into fourteen-bars, [10] the song uses only the chords I, IV and V. [9] One of the few Beatles songs to feature a simple verse form, [11] musicologist Alan W. Pollack suggests that, in the context of the Beatles' 1965 compositions, its simple format is stylistically regressive. [9]
"You Like Me Too Much" is a song by the English rock band the Beatles. It was written by George Harrison, the group's lead guitarist, and released in August 1965 on the Help! album, except in North America, where it appeared on Beatles VI. [2] The band recorded the track on 17 February that year at EMI Studios in London. [2]
The song was initially composed in C, but was played in F on Rubber Soul (with a capo on the fifth fret). The verse opens with an F major chord ("Michelle" – melody note C) then the second chord (on "ma belle" – melody note D ♭) is a B ♭ 7 ♯ 9 (on the original demo in C, the second chord is a F 7 ♯ 9).
The remaining Beatles recorded a track around Lennon's basic song idea, but which had gaps they had to fill in musically. [19] Some chords were changed, and the arrangement was expanded to include breaks for McCartney and Harrison to sing extra lines. Harrison played slide guitar in the solo. [20]
The frequent use of added sixth chords in the song accentuate its dreamlike feel. [7] The song also has an example of major 9th harmony in the Cmaj 9 chord on "Here comes the Sun King"; here, above the tonic C major triad, both B (seventh) and D (ninth) combine in the vocals "to form a suitably lush fanfare for the monarch himself." [8]
[1] Having included the track in his 2011 list of Harrison's "10 Greatest Beatles Songs", Joe Bosso of MusicRadar commented: "At times the song seems to drift away with Harrison's dreamy verses, but just as quickly it's chopping down trees with explosive percussion and thunderous handclaps. Wild guitar breaks by both Harrison and John Lennon ...
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