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"Paperback Writer" is a song by the English rock band the Beatles. Written primarily by Paul McCartney and credited to the Lennon–McCartney partnership, the song was released as the A-side of their eleventh single in May 1966. It topped singles charts in the United Kingdom, the United States, Ireland, West Germany, Australia, New Zealand and ...
Beatles for Sale is the fourth studio album by the English rock band the Beatles.It was released on 4 December 1964 in the United Kingdom on EMI's Parlophone label. The album marked a departure from the upbeat tone that had characterised the Beatles' previous work, partly due to the band's exhaustion after a series of tours that had established them as a worldwide phenomenon in 1964.
"Rain" is a song by the English rock band the Beatles, released on 30 May 1966 as the B-side of their "Paperback Writer" single. Both songs were recorded during the sessions for Revolver, although neither appear on that album. "Rain" was written by John Lennon and credited to the Lennon–McCartney partnership. He described it as being "about ...
The Beatles landed at JFK Airport on February 7, 1964, greeted by 3,000 of the fans that had sent “I Want To Hold Your Hand” to the top of the Hot 100, and America’s love affair with the Fab ...
By Edward Baran (Reuters) - A Gretsch guitar that John Lennon played for the recording of the Beatles' hit song "Paperback Writer" and then gave to his cousin is expected to fetch up to $1 million ...
Worldwide, the English rock band the Beatles released 12 studio albums (17 in the US), 5 live albums, 51 compilation albums, 36 extended plays (EPs), and 17 box sets. In their native United Kingdom, during their active existence as a band, they released 12 studio albums (including 1 double album), 1 compilation album, and 13 EPs (including 1 ...
2. "Come and Get It" by Badfinger. 1969 Written and produced by Paul McCartney, this song became a top 10 hit for Badfinger, a band signed to the Beatles’ Apple label.
The writer concluded: "this is a brilliant album which underlines once and for all that the Beatles have definitely broken the bounds of what we used to call pop." [ 369 ] Peter Clayton , a jazz critic for Gramophone magazine, described it as "an astonishing collection" that defied easy categorisation since much of the LP had no precedent in ...
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