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Kind characterizes Mary's understanding of color sensation as what it's like knowledge, a sub-category of knowledge-that. She states that while Mary does learn something upon seeing the red tomato for the first time and gains knowledge-how; David Lewis claims Mary is now able to recognize, remember and imagine seeing the color red.
Mary the color scientist. Mary's room is a thought experiment underpinning the knowledge argument. It was an argument to counter color realism and more broadly physicalism. The thought experiment was originally proposed by Frank Jackson as follows:
Perhaps Mary's failure to learn exactly what seeing red feels like is simply a failure of language, or a failure of our ability to describe experiences. An alien race with a different method of communication or description might be perfectly able to teach their version of Mary exactly how seeing the color red would feel.
In paintings, Mary is traditionally portrayed in blue. This tradition can trace its origin to the Byzantine Empire , from circa 500 AD, where blue was "the color of an empress". A more practical explanation for the use of this color is that in Medieval and Renaissance Europe , the blue pigment was derived from the rock lapis lazuli , a stone ...
Mary's special position within God's purpose of salvation as "God-bearer" is recognized in a number of ways by some Anglican Christians. [184] All the member churches of the Anglican Communion affirm in the historic creeds that Jesus was born of the Virgin Mary, and celebrates the feast days of the Presentation of Christ in the Temple.
Another important factor in the increased prestige of the color blue in the 12th century was the veneration of the Virgin Mary, and a change in the colors used to depict her clothing. In earlier centuries her robes had usually been painted in sombre black, grey, violet, dark green or dark blue.
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"The Missing Shade of Blue" is an example introduced by the Scottish philosopher David Hume to show that it is at least conceivable that the mind can generate an idea without first being exposed to the relevant sensory experience.