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The song's title, and the structure of its verses, derives from the structure of haiku, a Japanese style of poetry which comprises a 5-syllable line, a 7-syllable line, and then another 5-syllable line. Upon its release, the track garnered positive reviews from music critics, who praised the song's composition and the rap delivery.
Ogiwawa was a strong proponent of abandoning haiku traditions, especially the "season words" so favored by Takahama Kyoshi, and even the 5-7-5 syllable norms. In his Haiku teisho (1917), he broke with Hekigoto and shocked the haiku world by advocating further that haiku be transformed into free verse .
Paralleling the development of haiku in English, poets writing renku in English nowadays seldom adhere to a 5-7-5 syllable format for the hokku, or other chōku ('long verses'), of their poem. The salutative requirement of the traditional hokku is often disregarded, but the hokku is still typically required to include a kigo (seasonal word or ...
Haiku: a type of short poem, originally from Japan, consisting of three lines in a 5, 7, 5 syllable pattern. [2] English-language haiku: an unrhymed tercet poem in the haiku style. Lekythion: a sequence of seven alternating long and short syllables at the end of a verse.
A haiku in English is an English-language poem written in a form or style inspired by Japanese haiku.Like their Japanese counterpart, haiku in English are typically short poems and often reference the seasons, but the degree to which haiku in English implement specific elements of Japanese haiku, such as the arranging of 17 phonetic units (either syllables or the Japanese on) in a 5–7–5 ...
Among modern poems, traditionalist haiku continue to use the 5-7-5 pattern while free form haiku do not. [12] However, one of the examples below illustrates that traditional haiku masters were not always constrained by the 5-7-5 pattern either. The free form haiku was advocated for by Ogiwara Seisensui and his disciples.
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It goes on to say "Clearly, a large majority of haiku are no longer being composed according to the 5-7-5 syllable count. Many familiar with English haiku, the present authors included, consider strict 5-7-5 syllable-counting to be a poor method of emulating the Japanese form, if that is one's compositional intention."