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Spare Parts is the second studio album by the English rock band Status Quo, and their final one in the psychedelic vein. It is the first album to feature songwriting contributions from the band's road manager Bob Young.
After the Edge wrote a chord sequence and played it on acoustic guitar "with a lot of power in the strumming", the group attempted to compose a suitable vocal melody, [6] trying out a variety of ideas. [4] During a jam session, Bono began singing a "classic soul" melody, and it was this addition that made the Edge hear the song's potential. [6]
The piano is often used to provide harmonic accompaniment to a voice or other instrument.However, solo parts for the piano are common in many musical styles. These can take the form of a section in which the piano is heard more prominently than other instruments, or in which the piano may be played entirely unaccompanied.
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Metaludios (piano) Métopes; Minuet in G (Paderewski) Miscellaneous solo piano compositions (Rachmaninoff) Mists (Xenakis) Moment exotique; Morceaux de fantaisie; Morceaux de salon, Op. 10 (Rachmaninoff) List of solo piano compositions by Wolfgang Amadeus Mozart; Music for Piano (Cage) Music for the Dance No. 2; Music of Changes; Musica ricercata
The progression is also used entirely with minor chords[i-v-vii-iv (g#, d#, f#, c#)] in the middle section of Chopin's etude op. 10 no. 12. However, using the same chord type (major or minor) on all four chords causes it to feel more like a sequence of descending fourths than a bona fide chord progression.
Solo Live is a solo piano album by Michel Petrucciani, recorded in 1997 at the Alte Oper in Frankfurt, Germany, and released on the Dreyfus label in 1998. [2] [3] A double-CD version of the concert was released in 2007, under the title Piano Solo: The Complete Concert in Germany, and featured 20 tracks instead of the original release's 11.
The numbers do not change when transposing the composition into another key. They are relative to the new Tonic. The only required knowledge is the major scale for the given key. Unless otherwise noted, all numbers represent major chords, and each chord should be played for one measure. So in the key of C, the Nashville Number System notation:
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